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 Albrecht Durer
 b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
  

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Albrecht Durer Sudarium Displayed by Two Angels oil painting on canvas
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Sudarium Displayed by Two Angels
1513 Engraving, 102 x 140 mm Metropolitan Museum of Art, New York D?rer mentions this engraving in his diary of the journey to the Netherlands on two occasions, August 19 and August 20, 1520, when he gave copies away as presents. He refers to it as "Veronicam." It is one of the very few D?rer engravings in horizontal format. It is the crowning representation of the Passion series. The new face of Christ, created by D?rer, appears here in its purest form. The features of the Saviour bear an unmistakable resemblance to D?rer's own. Definitely heraldic in character, the angels are balanced with almost perfect symmetry, yet subtly differentiated in pose and gesture. The Holy Face fastens its eyes on the beholder with hypnotic intensity. The likeness of Christ served as the basis for a large woodcut sometimes attributed to Hans Sebald Beham.Artist:D?RER, Albrecht Title: Sudarium Displayed by Two Angels Painted in 1501-1550 , German - - graphics : religious
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
ID de tableau::  63596


Albrecht Durer
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
Sudarium_Displayed_by_Two_Angels
1513 Engraving, 102 x 140 mm Metropolitan Museum of Art, New York D?rer mentions this engraving in his diary of the journey to the Netherlands on two occasions, August 19 and August 20, 1520, when he gave copies away as presents. He refers to it as "Veronicam." It is one of the very few D?rer engravings in horizontal format. It is the crowning representation of the Passion series. The new face of Christ, created by D?rer, appears here in its purest form. The features of the Saviour bear an unmistakable resemblance to D?rer's own. Definitely heraldic in character, the angels are balanced with almost perfect symmetry, yet subtly differentiated in pose and gesture. The Holy Face fastens its eyes on the beholder with hypnotic intensity. The likeness of Christ served as the basis for a large woodcut sometimes attributed to Hans Sebald Beham.Artist:D?RER, Albrecht Title: Sudarium Displayed by Two Angels Painted in 1501-1550 , German - - graphics : religious
1513 Engraving, 102 x 140 mm Metropolitan Museum of Art, New York D?rer mentions this engraving in his diary of the journey to the Netherlands on two occasions, August 19 and August 20, 1520, when he gave copies away as presents. He refers to it as "Veronicam." It is one of the very few D?rer engravings in horizontal format. It is the crowning representation of the Passion series. The new face of Christ, created by D?rer, appears here in its purest form. The features of the Saviour bear an unmistakable resemblance to D?rer's own. Definitely heraldic in character, the angels are balanced with almost perfect symmetry, yet subtly differentiated in pose and gesture. The Holy Face fastens its eyes on the beholder with hypnotic intensity. The likeness of Christ served as the basis for a large woodcut sometimes attributed to Hans Sebald Beham.Artist:D?RER, Albrecht Title: Sudarium Displayed by Two Angels Painted in 1501-1550 , German - - graphics : religious

Related Paintings to Albrecht Durer :.
| Our Lady of the Barren Tree | konstnarens hustru | The Farmers Daughter | Branch of the Seine near Giverny, | Deianira (mk46) |

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