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 Albrecht Durer
 b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
  

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Albrecht Durer Madonna by the Wall oil painting on canvas
Le déclic pour Agrandir
Madonna by the Wall
1514 Engraving, 149 x 101 mm Metropolitan Museum of Art, New York Critics call this the most perfect and rare of all of D?rer's engravings, assigning to it a special place among all of D?rer's plates. It is transitional from the technique of deep black lines to a more even-tempered, silvery mat texture. Its mood is almost tragic, akin to that of Melencolia I, perhaps because of the death of D?rer's mother, which occurred on May 14, 1514. Whereas the Madonna with the Monkey is pure black and white, the Madonna by the Wall shows a unique variety of texture resulting in a colouristic effect. The Madonna by the Wall represents a perfect coincidence of apparent opposites. Regal, virginal, yet humble and motherly. Its utmost precision of design is combined with incomparable softness of texture. The Infant Christ is here holding an apple (compare Madonna by the Tree). In the background appears the castle of Nuremberg, which D?rer could see from the windows of his house.Artist:D?RER, Albrecht Title: Madonna by the Wall Painted in 1501-1550 , German - - graphics : religious
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
ID de tableau::  63603


Albrecht Durer
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
Madonna_by_the_Wall
1514 Engraving, 149 x 101 mm Metropolitan Museum of Art, New York Critics call this the most perfect and rare of all of D?rer's engravings, assigning to it a special place among all of D?rer's plates. It is transitional from the technique of deep black lines to a more even-tempered, silvery mat texture. Its mood is almost tragic, akin to that of Melencolia I, perhaps because of the death of D?rer's mother, which occurred on May 14, 1514. Whereas the Madonna with the Monkey is pure black and white, the Madonna by the Wall shows a unique variety of texture resulting in a colouristic effect. The Madonna by the Wall represents a perfect coincidence of apparent opposites. Regal, virginal, yet humble and motherly. Its utmost precision of design is combined with incomparable softness of texture. The Infant Christ is here holding an apple (compare Madonna by the Tree). In the background appears the castle of Nuremberg, which D?rer could see from the windows of his house.Artist:D?RER, Albrecht Title: Madonna by the Wall Painted in 1501-1550 , German - - graphics : religious
1514 Engraving, 149 x 101 mm Metropolitan Museum of Art, New York Critics call this the most perfect and rare of all of D?rer's engravings, assigning to it a special place among all of D?rer's plates. It is transitional from the technique of deep black lines to a more even-tempered, silvery mat texture. Its mood is almost tragic, akin to that of Melencolia I, perhaps because of the death of D?rer's mother, which occurred on May 14, 1514. Whereas the Madonna with the Monkey is pure black and white, the Madonna by the Wall shows a unique variety of texture resulting in a colouristic effect. The Madonna by the Wall represents a perfect coincidence of apparent opposites. Regal, virginal, yet humble and motherly. Its utmost precision of design is combined with incomparable softness of texture. The Infant Christ is here holding an apple (compare Madonna by the Tree). In the background appears the castle of Nuremberg, which D?rer could see from the windows of his house.Artist:D?RER, Albrecht Title: Madonna by the Wall Painted in 1501-1550 , German - - graphics : religious

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