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 WEYDEN, Rogier van der
 Netherlandish Northern Renaissance Painter, ca.1400-1464
 

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WEYDEN, Rogier van der Portrait Diptych of Jean de Gros oil painting on canvas

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Portrait Diptych of Jean de Gros
1450s Oil on oak panel, 36 x 27 cm Mus?e des Beaux-Arts, Tournai Of the Madonnas in the portrait diptychs, the most interesting is the one accompanying the Portrait of Jean de Gros (Art Institute, Chicago). She represents one of the early types of half length figures of the Virgin, which were used in many pictures by Rogier's successors, and copied with what are often only very slight deviations. The head of Mary in particular recurs almost unchanged in many pictures from Rogier's workshop or by his close colleagues, and has come down to us, for instance, in a drawing that was intended as the model for a painting (Mus?e du Louvre, Paris). This panel of the Madonna formed a diptych with the portrait of Jean de Gros; both have the donor's motto and emblem on the back. The painting has suffered from its poor state of preservation, and may perhaps be by a workshop assistant.Artist:WEYDEN, Rogier van der Title: Portrait Diptych of Jean de Gros (left wing) Painted in 1401-1450 , Flemish - - painting : religious
Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau::  63860




WEYDEN, Rogier van der
Netherlandish Northern Renaissance Painter, ca.1400-1464
Portrait_Diptych_of_Jean_de_Gros
1450s Oil on oak panel, 36 x 27 cm Mus?e des Beaux-Arts, Tournai Of the Madonnas in the portrait diptychs, the most interesting is the one accompanying the Portrait of Jean de Gros (Art Institute, Chicago). She represents one of the early types of half length figures of the Virgin, which were used in many pictures by Rogier's successors, and copied with what are often only very slight deviations. The head of Mary in particular recurs almost unchanged in many pictures from Rogier's workshop or by his close colleagues, and has come down to us, for instance, in a drawing that was intended as the model for a painting (Mus?e du Louvre, Paris). This panel of the Madonna formed a diptych with the portrait of Jean de Gros; both have the donor's motto and emblem on the back. The painting has suffered from its poor state of preservation, and may perhaps be by a workshop assistant.Artist:WEYDEN, Rogier van der Title: Portrait Diptych of Jean de Gros (left wing) Painted in 1401-1450 , Flemish - - painting : religious
1450s Oil on oak panel, 36 x 27 cm Mus?e des Beaux-Arts, Tournai Of the Madonnas in the portrait diptychs, the most interesting is the one accompanying the Portrait of Jean de Gros (Art Institute, Chicago). She represents one of the early types of half length figures of the Virgin, which were used in many pictures by Rogier's successors, and copied with what are often only very slight deviations. The head of Mary in particular recurs almost unchanged in many pictures from Rogier's workshop or by his close colleagues, and has come down to us, for instance, in a drawing that was intended as the model for a painting (Mus?e du Louvre, Paris). This panel of the Madonna formed a diptych with the portrait of Jean de Gros; both have the donor's motto and emblem on the back. The painting has suffered from its poor state of preservation, and may perhaps be by a workshop assistant.Artist:WEYDEN, Rogier van der Title: Portrait Diptych of Jean de Gros (left wing) Painted in 1401-1450 , Flemish - - painting : religious

Related Paintings to WEYDEN, Rogier van der :.
| Brittany landscape | kokspingan | The Virgin of the Rose Garden | Arab or Arabic people and life. Orientalism oil paintings 421 | Franz and Mary Stuck as a God and Goddess |


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