La Peinture à l'huile en gros de Chine & Encadre


précédent       prochain     
   

 

Search Now !


unknow artist Apocalypse oil painting on canvas

Le déclic pour Agrandir
Apocalypse
1380 Tapestry, height 430 cm Chateau d'Angers, Angers The most popular picture-books of the thirteenth century were those that illustrated St John's vision of the Apocalypse. The standard Apocalypse cycle, containing numerous scenes, was first developed in England. Those scenes were later used in creating other art forms, like the monumental tapestry woven in Paris for Louis d'Anjou. One element that was increasingly emphasized in both manuscript and monumental versions was St John himself, standing as a spectator within each of the scenes. He served to mediate the visionary experience for the beholder, sometimes looking through a window onto the action, but always registering an active response to what he is seeing. , Artist: UNKNOWN MASTER, French , Apocalypse , 1351-1400 , French , painting , religious
ID de tableau::  63960




unknow artist

Apocalypse
1380 Tapestry, height 430 cm Chateau d'Angers, Angers The most popular picture-books of the thirteenth century were those that illustrated St John's vision of the Apocalypse. The standard Apocalypse cycle, containing numerous scenes, was first developed in England. Those scenes were later used in creating other art forms, like the monumental tapestry woven in Paris for Louis d'Anjou. One element that was increasingly emphasized in both manuscript and monumental versions was St John himself, standing as a spectator within each of the scenes. He served to mediate the visionary experience for the beholder, sometimes looking through a window onto the action, but always registering an active response to what he is seeing. , Artist: UNKNOWN MASTER, French , Apocalypse , 1351-1400 , French , painting , religious
1380 Tapestry, height 430 cm Chateau d'Angers, Angers The most popular picture-books of the thirteenth century were those that illustrated St John's vision of the Apocalypse. The standard Apocalypse cycle, containing numerous scenes, was first developed in England. Those scenes were later used in creating other art forms, like the monumental tapestry woven in Paris for Louis d'Anjou. One element that was increasingly emphasized in both manuscript and monumental versions was St John himself, standing as a spectator within each of the scenes. He served to mediate the visionary experience for the beholder, sometimes looking through a window onto the action, but always registering an active response to what he is seeing. , Artist: UNKNOWN MASTER, French , Apocalypse , 1351-1400 , French , painting , religious

Related Paintings to unknow artist :.
| Still-Life with Melon and Pears | The Way to Paradise | Portrait of Louis XIV of France | Paul sanctification | Loves of the Winds and the Seasons |


précédent       prochain     

CONTACTER DES Etats-Unis
Xiamen Chine Pétrole en gros Peignant la Barre de Civière Cadre en gros Moulant le Miroir Tableaux Tendus Encadrés