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 Juan Bautista de Espinosa
 (1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.
 

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Juan Bautista de Espinosa Still Life Of Fruits And A Plate Of Olives oil painting on canvas

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Still Life Of Fruits And A Plate Of Olives
50 X 67 cm (19.68 X 26.38 in) cjr
(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.
ID de tableau::  74919




Juan Bautista de Espinosa
(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.
Still_Life_Of_Fruits_And_A_Plate_Of_Olives
50 X 67 cm (19.68 X 26.38 in) cjr
50 X 67 cm (19.68 X 26.38 in) cjr

Related Paintings to Juan Bautista de Espinosa :.
| Sheep 062 | The Fonteghetto della Farina | The Battle of the Milvian Bridge,from The Life of Constantine (mk01) | Street Scene,France | The Brockman Family and Friends at Beachborough Manor the Temple Pond looking towards the Rotunda |


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