La Peinture à l'huile en gros de Chine & Encadre
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After Jan de Baen Jan de Baen (20 February 1633 - 1702) was a Dutch portrait painter who lived during the Dutch Golden Age. He was a pupil of the painter Jacob Adriaensz Backer in Amsterdam from 1645 to 1648. He worked for Charles II of England in his Dutch exile, and from 1660 until his death he lived and worked in The Hague. His portraits were popular in his day, and he painted the most distinguished people of his time.
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Le déclic pour Agrandir
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The apotheosis of Cornelis de Witt
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1670 (1667-1670)
Medium Oil on canvas
Dimensions 75.5 x 102 cm (29.7 x 40.2 in)
cyf
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Jan de Baen (20 February 1633 - 1702) was a Dutch portrait painter who lived during the Dutch Golden Age. He was a pupil of the painter Jacob Adriaensz Backer in Amsterdam from 1645 to 1648. He worked for Charles II of England in his Dutch exile, and from 1660 until his death he lived and worked in The Hague. His portraits were popular in his day, and he painted the most distinguished people of his time.
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ID de tableau:: 82871
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After Jan de Baen
Jan de Baen (20 February 1633 - 1702) was a Dutch portrait painter who lived during the Dutch Golden Age. He was a pupil of the painter Jacob Adriaensz Backer in Amsterdam from 1645 to 1648. He worked for Charles II of England in his Dutch exile, and from 1660 until his death he lived and worked in The Hague. His portraits were popular in his day, and he painted the most distinguished people of his time.
The_apotheosis_of_Cornelis_de_Witt 1670 (1667-1670)
Medium Oil on canvas
Dimensions 75.5 x 102 cm (29.7 x 40.2 in)
cyf 1670 (1667-1670)
Medium Oil on canvas
Dimensions 75.5 x 102 cm (29.7 x 40.2 in)
cyf
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Related Paintings to After Jan de Baen :. | Portrait of Isabella of Portugal | European city landscape, street landsacpe, construction, frontstore, building and architecture.050 | Naples afternoon | Virgin and Child sf | Blue Buddha 2 | |
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CONTACTER DES Etats-Unis
Xiamen Chine Pétrole en gros Peignant la Barre de Civière Cadre en gros Moulant le Miroir Tableaux Tendus Encadrés |
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