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 Paolo Alboni
 (1671-1734), also called Paolo Antonio Alboni, was an Italian painter of the late-Baroque period. He was born and trained in Bologna, where he became a landscape painter. After practicing some time in Rome and Naples, he went in 1710 to Vienna, where he remained nearly thirteen years, but being deprived of the use of his right side by a stroke, he returned to Bologna; he subsequently painted with his left hand. His daughter, Luigia Maria Rosa, was also a landscape painter. She died in 1759.
 

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Paolo Alboni Folk Party near a Mill, oil on copper, in the collection of the Brukenthal National Museum oil painting on canvas
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Folk Party near a Mill, oil on copper, in the collection of the Brukenthal National Museum
1713
(1671-1734), also called Paolo Antonio Alboni, was an Italian painter of the late-Baroque period. He was born and trained in Bologna, where he became a landscape painter. After practicing some time in Rome and Naples, he went in 1710 to Vienna, where he remained nearly thirteen years, but being deprived of the use of his right side by a stroke, he returned to Bologna; he subsequently painted with his left hand. His daughter, Luigia Maria Rosa, was also a landscape painter. She died in 1759.
ID de tableau::  90129


Paolo Alboni
(1671-1734), also called Paolo Antonio Alboni, was an Italian painter of the late-Baroque period. He was born and trained in Bologna, where he became a landscape painter. After practicing some time in Rome and Naples, he went in 1710 to Vienna, where he remained nearly thirteen years, but being deprived of the use of his right side by a stroke, he returned to Bologna; he subsequently painted with his left hand. His daughter, Luigia Maria Rosa, was also a landscape painter. She died in 1759.
Folk_Party_near_a_Mill,_oil_on_copper,_in_the_collection_of_the_Brukenthal_National_Museum
1713
1713

Related Paintings to Paolo Alboni :.
| A lady writing. | St Mary Magdalene | The Duke of Lerma on Horseback (mk01) | The Schmadribach Falls | Classical hunting fox, Equestrian and Beautiful Horses, 228. |

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