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Ferdynand Ruszczyc (1870-1936) was a Polish painter, printmaker, and stage designer. Ruszczyc originally studied law at the University of St. Petersburg, but then switched majors and began taking painting classes at the Academy of Fine Art. He was a student of famous Russian landscape painters Ivan Shishkin and Arkhip Kuindzhi. Ruszczyc travelled to the Crimea to paint seascapes, and later to the Baltic islands and Sweden to paint northern landscapes. He visited Berlin, where he was significantly influenced by the Symbolist painters such as Arnold Bocklin. After graduation, Ruszczyc made extensive tours of Western Europe incorporating much of the styles he came across into his own art. |
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Gemälde IDENTIFIZIERUNG:: 71574 Nec mergitur
Nec mergitur, oil on canvas, 204x221, Luthuanian Museum of Art in Vilnus
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Gemälde IDENTIFIZIERUNG:: 71580 Wychodzcy
Wychodźcy (en: Exiles), oil on canvas, 88x169, Luthuanian Museum of Art in Vilnus
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Gemälde IDENTIFIZIERUNG:: 84291 Manor house in Bohdanew
1902(1902)
Medium Oil on canvas
Dimensions 43 x 50 cm (16.9 x 19.7 in)
cyf
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Gemälde IDENTIFIZIERUNG:: 90349 Soil
1898(1898)
Medium oil on canvas
Dimensions 171 x 219 cm (67.3 x 86.2 in)
cjr
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Gemälde IDENTIFIZIERUNG:: 91355 Manor house in Bohdanow
1901(1901)
Medium oil on canvas
Dimensions 43 x 50 cm (16.9 x 19.7 in)
cjr
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| VORHERIGER KÜNSTLER NÄCHSTER KÜNSTLER
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Ferdynand Ruszczyc (1870-1936) was a Polish painter, printmaker, and stage designer. Ruszczyc originally studied law at the University of St. Petersburg, but then switched majors and began taking painting classes at the Academy of Fine Art. He was a student of famous Russian landscape painters Ivan Shishkin and Arkhip Kuindzhi. Ruszczyc travelled to the Crimea to paint seascapes, and later to the Baltic islands and Sweden to paint northern landscapes. He visited Berlin, where he was significantly influenced by the Symbolist painters such as Arnold Bocklin. After graduation, Ruszczyc made extensive tours of Western Europe incorporating much of the styles he came across into his own art.
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