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Julius LeBlanc Stewart (September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia."
His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo.
Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon. |
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Gemälde IDENTIFIZIERUNG:: 73035 Lady on a Pink Divan
1877(1877)
Oil on canvas
49,5 x 63 cm
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Gemälde IDENTIFIZIERUNG:: 76618 Portrait of Mrs. Francis Stanton Blake
1908(1908)
Oil on canvas
200 x 112.4 cm (78.7 x 44.3 in)
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Gemälde IDENTIFIZIERUNG:: 86273 Nymphes de Nysa
Medium Oil on canvas
Dimensions 143 x 115 cm (56.3 x 45.3 in)
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Gemälde IDENTIFIZIERUNG:: 87923 Les Dames Goldsmith au bois de Boulogne en 1897 sur une voiturette
Date 1901(1901)
Medium Oil on canvas
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Gemälde IDENTIFIZIERUNG:: 90369 Femme Mi-Nue
1877(1877)
Medium oil on panel
Dimensions 31 x 14,5 cm
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| VORHERIGER KÜNSTLER NÄCHSTER KÜNSTLER
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Julius LeBlanc Stewart (September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia."
His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo.
Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon.
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