Teodor Axentowicz Oil Painting Reproduction


All Teodor Axentowicz Oil Paintings

born May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.
 
 
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Teodor Axentowicz
      born May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career. 		 

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Teodor Axentowicz Italian florist. oil painting artist
  Gemälde IDENTIFIZIERUNG::   84905
Italian florist.
Date 1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cjr


 
Teodor Axentowicz Italian florist oil painting artist
  Gemälde IDENTIFIZIERUNG::   88739
Italian florist
1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cyf


 
Teodor Axentowicz Hutsul Funeral oil painting artist
  Gemälde IDENTIFIZIERUNG::   89547
Hutsul Funeral
1882(1882) Medium oil on canvas Dimensions 86 x 115 cm (33.9 x 45.3 in) cjr


 
Teodor Axentowicz The Anchorite oil painting artist
  Gemälde IDENTIFIZIERUNG::   91381
The Anchorite
1881(1881) Medium oil on canvas Dimensions 129 x 95 cm (50.8 x 37.4 in) cyf


 
Teodor Axentowicz The Goose Girl. oil painting artist
  Gemälde IDENTIFIZIERUNG::   93696
The Goose Girl.
1883(1883) Medium oil on canvas Dimensions 41 x 53 cm (16.1 x 20.9 in) cjr


 
 
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Teodor Axentowicz
     born May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

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