robert delaunay Oil Painting Reproduction


All robert delaunay Oil Paintings

French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.
 
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VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     robert delaunay
     French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art. 		 

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robert delaunay Les trois graces oil painting artist
  Gemälde IDENTIFIZIERUNG::   96722
Les trois graces
Oil on canvas, 207 x 173 cm. Date 1912(1912) cyf


 
robert delaunay La Ville de Paris oil painting artist
  Gemälde IDENTIFIZIERUNG::   96723
La Ville de Paris
oil on canvas, 38 x 57.5 cm cyf


 
robert delaunay Vue du Quai du Louvre oil painting artist
  Gemälde IDENTIFIZIERUNG::   96732
Vue du Quai du Louvre
oil on canvas, 65 x 54 cm cyf


 
robert delaunay Nature morte au vase de fleurs oil painting artist
  Gemälde IDENTIFIZIERUNG::   96844
Nature morte au vase de fleurs
Oil on canvas, 46.4 x 55 cm Date circa 1907(1907) cyf


 
robert delaunay Portrait of Vittoria della Rovere oil painting artist
  Gemälde IDENTIFIZIERUNG::   96845
Portrait of Vittoria della Rovere
oil on canvas 83 x 64 cm cyf


 
       VORHERIGER  1  2  3  4   NÄCHSTER
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     robert delaunay
    French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.

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