adriaen van ostade Oil Painting Reproduction
Adriaen van Ostade (baptized as Adriaen Hendricx December 10, 1610 ?C buried May 2, 1685) was a Dutch genre painter.
He was the eldest son of Jan Hendricx Ostade, a weaver from the town of Ostade near Eindhoven. Although Adriaen and his brother Isaack were born in Haarlem, they adopted the name "van Ostade" as painters.
"Peasants in a Tavern" (c. 1635), at the Alte Pinakothek, MunichAccording to Jacobus Houbraken, he was taught from 1627 by Frans Hals, at that time the master of Adriaen Brouwer and Jan Miense Molenaer. At twenty-six he joined a company of the civic guard at Haarlem, and at twenty-eight he married. His wife died in 1640, and he speedily re-married. He again became a widower in 1666. In 1662 he took the highest honors of his profession with the presidency of the painters Guild of Saint Luke in Haarlem. Among the treasures of the Louvre is a striking picture of a father sitting in state, his wife at his side, surrounded by his son, five daughters, and a young married couple in a handsomely furnished room. By an old tradition, Ostade here painted himself and his children in holiday attire; but the style is much too refined for the painter of boors, and Ostade had but one daughter.
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adriaen van ostade Adriaen van Ostade (baptized as Adriaen Hendricx December 10, 1610 ?C buried May 2, 1685) was a Dutch genre painter.
He was the eldest son of Jan Hendricx Ostade, a weaver from the town of Ostade near Eindhoven. Although Adriaen and his brother Isaack were born in Haarlem, they adopted the name "van Ostade" as painters.
"Peasants in a Tavern" (c. 1635), at the Alte Pinakothek, MunichAccording to Jacobus Houbraken, he was taught from 1627 by Frans Hals, at that time the master of Adriaen Brouwer and Jan Miense Molenaer. At twenty-six he joined a company of the civic guard at Haarlem, and at twenty-eight he married. His wife died in 1640, and he speedily re-married. He again became a widower in 1666. In 1662 he took the highest honors of his profession with the presidency of the painters Guild of Saint Luke in Haarlem. Among the treasures of the Louvre is a striking picture of a father sitting in state, his wife at his side, surrounded by his son, five daughters, and a young married couple in a handsomely furnished room. By an old tradition, Ostade here painted himself and his children in holiday attire; but the style is much too refined for the painter of boors, and Ostade had but one daughter. |
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Gemälde IDENTIFIZIERUNG:: 41037 Dörfermusiker Village Musicians
das Öl von mk159 1645 auf täfelt 39x30.5cm mk159
1645
Oil on panel
39x30.5cm
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Gemälde IDENTIFIZIERUNG:: 60004 Peasants in a Tavern
"Peasants in a Tavern" (c. 1635, ', ', ', ', ', ', ', '), at the Alte Pinakothek, Munich
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Gemälde IDENTIFIZIERUNG:: 60005 Cutting the Feather
"Cutting the Feather" c. 1660, at the Museum of Fine Arts, Budapest
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Gemälde IDENTIFIZIERUNG:: 60006 The painter in his workshop
The painter in his workshop (selfportrait) (1663, ', ', ', ', ', ', ', '), at the Sempergalerie, Dresden
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Gemälde IDENTIFIZIERUNG:: 60007 Resting Travelers
"Resting Travelers" (1671, ', ', ', ', ', ', ', '), at the Rijksmuseum, Amsterdam
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| VORHERIGER KÜNSTLER NÄCHSTER KÜNSTLER
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adriaen van ostade Adriaen van Ostade (baptized as Adriaen Hendricx December 10, 1610 ?C buried May 2, 1685) was a Dutch genre painter.
He was the eldest son of Jan Hendricx Ostade, a weaver from the town of Ostade near Eindhoven. Although Adriaen and his brother Isaack were born in Haarlem, they adopted the name "van Ostade" as painters.
"Peasants in a Tavern" (c. 1635), at the Alte Pinakothek, MunichAccording to Jacobus Houbraken, he was taught from 1627 by Frans Hals, at that time the master of Adriaen Brouwer and Jan Miense Molenaer. At twenty-six he joined a company of the civic guard at Haarlem, and at twenty-eight he married. His wife died in 1640, and he speedily re-married. He again became a widower in 1666. In 1662 he took the highest honors of his profession with the presidency of the painters Guild of Saint Luke in Haarlem. Among the treasures of the Louvre is a striking picture of a father sitting in state, his wife at his side, surrounded by his son, five daughters, and a young married couple in a handsomely furnished room. By an old tradition, Ostade here painted himself and his children in holiday attire; but the style is much too refined for the painter of boors, and Ostade had but one daughter.
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