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Paul Raud (22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.
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Gemälde IDENTIFIZIERUNG:: 72870 Etude with a birch
Paul Raud, "Etude with a birch", 1895-1901, oil on canvas
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Gemälde IDENTIFIZIERUNG:: 72873 Field of flowers
Field of flowers, 1906?C1911. Oil
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Gemälde IDENTIFIZIERUNG:: 73167 A Landscape
Date 1906?C1911
Medium Oil on canvas
Dimensions 37.7 X 50.2 cm (14.84 X 19.76 in)
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Gemälde IDENTIFIZIERUNG:: 73899 Seminude
1911, oil on canvas
Eesti: Paul Raud "Poolakt", 1911, õli lõuendil
Date 1911
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Gemälde IDENTIFIZIERUNG:: 74052 Sleeping cat by Paul Raud
1865 - 1930, ', ', ', ', ', ', ', '), oil on canvas
Eesti: Paul Raud, "Magav kass", õli lõuendil
Date October 1908(1908-10)
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| VORHERIGER KÜNSTLER NÄCHSTER KÜNSTLER
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Paul Raud (22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.
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