Bela Ivanyi-Grunwald Oil Painting Reproduction


All Bela Ivanyi-Grunwald Oil Paintings

(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
 
       VORHERIGER  1  2  3  4   NÄCHSTER
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Bela Ivanyi-Grunwald
      (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.		  

Search Now !
Bela Ivanyi-Grunwald Woman by the Water oil painting artist
  Gemälde IDENTIFIZIERUNG::   76300
Woman by the Water
Date 1897(1897) Medium Oil on canvas Dimensions 81x99 cm cyf


 
Bela Ivanyi-Grunwald Ave Maria oil painting artist
  Gemälde IDENTIFIZIERUNG::   77035
Ave Maria
English: Ave Maria Date 1891 cyf


 
Bela Ivanyi-Grunwald Devotion (Ave Maria) oil painting artist
  Gemälde IDENTIFIZIERUNG::   95637
Devotion (Ave Maria)
Date 1891(1891) Medium oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 115.2 cm (45.4 in). TTD


 
Bela Ivanyi-Grunwald The Warlord's Sword oil painting artist
  Gemälde IDENTIFIZIERUNG::   95638
The Warlord's Sword
Date 1890(1890) Medium oil on canvas Dimensions Height: 161 cm (63.4 in). Width: 150 cm (59.1 in). TTD


 
Bela Ivanyi-Grunwald Moon Rise oil painting artist
  Gemälde IDENTIFIZIERUNG::   95639
Moon Rise
Date 1897(1897) Medium oil on canvas Dimensions Height: 118 cm (46.5 in). Width: 185 cm (72.8 in). TTD


 
       VORHERIGER  1  2  3  4   NÄCHSTER
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Bela Ivanyi-Grunwald
     (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt