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 Pedro Berruguete
  (c. 1450 - 1504) was a Spanish painter; his art is regarded as a transitional style between gothic and Renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino, where he could see some works by Melozzo da Forle. He came back to Spain in 1482 and painted in several cities, such as Sevilla, Toledo and Ávila. He was the father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.
 

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Pedro Berruguete The Tomb of Saint Peter Martyr oil painting on canvas

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The Tomb of Saint Peter Martyr
Date c. 1495(1495) Medium Oil on wood Dimensions Height: 131 cm (51.6 in). Width: 85 cm (33.5 in). cjr
(c. 1450 - 1504) was a Spanish painter; his art is regarded as a transitional style between gothic and Renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino, where he could see some works by Melozzo da Forle. He came back to Spain in 1482 and painted in several cities, such as Sevilla, Toledo and Ávila. He was the father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.
Gemälde IDENTIFIZIERUNG::  86820




Pedro Berruguete
(c. 1450 - 1504) was a Spanish painter; his art is regarded as a transitional style between gothic and Renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino, where he could see some works by Melozzo da Forle. He came back to Spain in 1482 and painted in several cities, such as Sevilla, Toledo and Ávila. He was the father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.
Date c. 1495(1495) Medium Oil on wood Dimensions Height: 131 cm (51.6 in). Width: 85 cm (33.5 in). cjr

Related Paintings to Pedro Berruguete :.
| Sir William Hamilton | Portrait of Madame de Genlis | Pastourelle | A Rural Gift | Classical hunting fox, Equestrian and Beautiful Horses, 017. |


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