Franz Anton Maulbertsch El petróleo que Pinta la ReproducciónAll Franz Anton Maulbertsch Oil Paintings(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem |
|||
 |
|
||
|
|
|||
|
||||||||
| Franz Anton Maulbertsch (June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem |
||||||||
|
|
||||||||
|
Pintura identificación:: 67717 Allegory of the Alba c. 1750 Oil on canvas 67 x 53 cm |
|||||||
|
|
||||||||
|
Pintura identificación:: 67720 Der Apostel Philippus tauft einen Eunuchen c. 1750 50,5 X 34,5 cm |
|||||||
|
|
||||||||
|
Pintura identificación:: 67721 Der Quacksalber Franz Anton Maulbertsch: Der Quacksalber (The quack, ', ', ', ', ', ', ', '), before 1785 Oil on wood, 53 x 56 cm |
|||||||
|
|
||||||||
|
Pintura identificación:: 67809 Apotheosis of a Hungarian Saint 1773 Oil on canvas 73 x 46 cm |
|||||||
|
|
||||||||
|
Pintura identificación:: 70226 Allegory of the Alba Medium Oil on canvas Dimensions 67 x 53 cm |
|||||||
|
|
||||||||
| ARTISTA PREVIO PROXIMO ARTISTA | ||||||||
|
|
||||||||
|
Franz Anton Maulbertsch (June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem |
||||||||
|
|
||||||||
|
CONTACTE EEUU |