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Antonio Canova Italian Neoclassical Sculptor, 1757-1822 |
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Pintura identificación:: 32542 la Recreación por nuestra Galería Recreation by our Gallery
mk79 1789-1790 mk79
1789-1790
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Pintura identificación:: 32614 la Recreación por nuestra Galería Recreation by our Gallery
mk79 1798 mk79
1798
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Pintura identificación:: 38548 Jaspea Marble
mk138 160x65x85cm En el Antikensamm-Pulmón de Koniglichen desde que 1830 transferido al Nationalgalerie en 1878 mk138
160x65x85cm
In the Koniglichen Antikensamm-lung since 1830
transferred to the Nationalgalerie in 1878
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Pintura identificación:: 62405 Tomb of Pope Clement XIII
1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious
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Pintura identificación:: 62546 The Three Graces Dancing
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
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| ARTISTA PREVIO PROXIMO ARTISTA
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Antonio Canova Italian Neoclassical Sculptor, 1757-1822
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