|
Luis de Morales (1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
|
|
|
|
|
Pintura identificación:: 81321 Virgin and Child
Date from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cjr
|
|
|
|
|
|
|
Pintura identificación:: 81573 Virgin and Child with a Spindle
Date between 1567(1567) and 1569(1569)
Medium Oil on oak
Dimensions Height: 49 cm (19.3 in). Width: 33 cm (13 in).
cjr
|
|
|
|
|
|
|
Pintura identificación:: 85354 Virgin and Child
from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cyf
|
|
|
|
|
|
|
Pintura identificación:: 85594 Virgin and Child with a Spindle
between 1567(1567) and 1569(1569)
Medium Oil on oak
cyf
|
|
|
|
|
|
|
Pintura identificación:: 96673 Madonna with the Child
1570s
Medium oil on panel
cyf
|
|
|
|
|
| ARTISTA PREVIO PROXIMO ARTISTA
|
|
Luis de Morales (1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
|
|