Jean Simeon Chardin El petróleo que Pinta la ReproducciónAll Jean Simeon Chardin Oil Paintings(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
|||
 |
|
||
|
|
|||
|
||||||||
| Jean Simeon Chardin (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
||||||||
|
|
||||||||
|
Pintura identificación:: 74950 Still Life with Attributes of the Arts 1766 Oil on canvas 112 x 141 cm cjr |
|||||||
|
|
||||||||
|
Pintura identificación:: 75766 Uva y granada Date 1763(1763) Medium Oil on canvas Dimensions Deutsch: 47 x 57 cm cyf |
|||||||
|
|
||||||||
|
Pintura identificación:: 76281 dit Le Souffleur Date 1734(1734) Medium Oil on canvas Dimensions 138 x 105 cm (54.3 x 41.3 in) |
|||||||
|
|
||||||||
|
Pintura identificación:: 76536 Still Life with Attributes of the Arts Date 1766 Medium Oil on canvas Dimensions 112 x 141 cm cyf |
|||||||
|
|
||||||||
|
Pintura identificación:: 76610 Boy with a Top ca. 1735(1735) Oil on canvas 68 x 76 cm (26.8 x 29.9 in) cjr |
|||||||
|
|
||||||||
| ARTISTA PREVIO PROXIMO ARTISTA | ||||||||
|
|
||||||||
|
Jean Simeon Chardin (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter |
||||||||
|
|
||||||||
|
CONTACTE EEUU |