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Julius LeBlanc Stewart (September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia."
His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo.
Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon. |
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Pintura identificación:: 91321 La Clairiere
1900(1900)
Medium oil on canvas
Dimensions 151.1 x 121.9 cm (59.5 x 48 in)
cyf
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Pintura identificación:: 91492 Jeune femme nue dans un sous-bois
1905(1905)
Medium oil on canvas
Dimensions 59 x 145 cm (23.2 x 57.1 in)
cyf
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Pintura identificación:: 92461 Study Of A Nude Woman
1892
TTD
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Pintura identificación:: 93781 Yachting in the Mediterranean
Date 1896(1896)
Medium oil on canvas
TTD
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Pintura identificación:: 93783 On the Yacht Namouna, Venice
Date 1890(1890)
Medium oil on canvas
Dimensions 142.2 x 195.6 cm (56 x 77 in)
TTD
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| ARTISTA PREVIO PROXIMO ARTISTA
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Julius LeBlanc Stewart (September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia."
His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo.
Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon.
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