Pieter Cornelisz. van Slingelandt El petróleo que Pinta la Reproducción


All Pieter Cornelisz. van Slingelandt Oil Paintings

(20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),
 

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     Pieter Cornelisz. van Slingelandt
     (20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),
 

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Pieter Cornelisz. van Slingelandt Pieter Cornelisz van Slingelandt oil painting artist
  Pintura identificación::   80856
Pieter Cornelisz van Slingelandt
Oil on canvas Dimensions 13 x 10 cm cyf


 

Pieter Cornelisz. van Slingelandt A young lacemaker is interrupted by a birdseller who offers her ware through the window oil painting artist
  Pintura identificación::   83444
A young lacemaker is interrupted by a birdseller who offers her ware through the window
1672-1673 Medium Oil on panel Dimensions 35,5 x 28 cm cyf


 

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ARTISTA PREVIO       PROXIMO ARTISTA     

     Pieter Cornelisz. van Slingelandt
    (20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),

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