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Juan Luna Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. |
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Pintura identificación:: 83540 Indio Bravo
Indio Bravo painting by Juan Luna
Date circa 1880s
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Pintura identificación:: 83541 Jose Rizal portrait
Oil painting portrait of Jose Rizal by Filipino painter and hero Juan Luna.
Date circa 1890s
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Pintura identificación:: 83542 La Bulaquena
La Bulaqueña, painting by Filipino painter and political activist Juan Luna
Date 1895(1895)
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Pintura identificación:: 83543 La Madrilena
La Madrilena (En el Balcon) painting by Juan Luna.
Date circa 1880s
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Pintura identificación:: 83544 A portrait of the young Marchioness of Monte Olivar
A portrait of the young Marchioness of Monte Olivar painted by Juan Luna in 1881.
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| ARTISTA PREVIO PROXIMO ARTISTA
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Juan Luna Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary.
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