|
Angelo Bronzino (November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects.
Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher. |
|
|
|
|
Pintura identificación:: 86595 The Deposition
Date 1565(1565)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 235 cm (92.5 in).
cjr
|
|
|
|
|
|
|
Pintura identificación:: 89298 Portrat eines Edeldame
1550-1555
Medium oil on panel
Dimensions 109 x 85 cm (42.9 x 33.5 in)
cjr
|
|
|
|
|
|
|
Pintura identificación:: 90413 Anna und Johannes dem Taufer
1550(1550)
Medium oil on panel
Dimensions Deutsch: 124,5 x 99,5 cm
cyf
|
|
|
|
|
|
|
Pintura identificación:: 90544 Eleonora di Toledo
1543(1543)
Medium oil on panel
Dimensions Height: 46 cm (18.1 in). Width: 59 cm (23.2 in).
cyf
|
|
|
|
|
|
|
Pintura identificación:: 91637 Cupid and Time
between 1540(1540) and 1545(1545)
Medium oil on panel
Dimensions Height: 147 cm (57.9 in). Width: 117 cm (46.1 in).
cyf
|
|
|
|
|
| ARTISTA PREVIO PROXIMO ARTISTA
|
|
Angelo Bronzino (November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects.
Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.
|
|