MASSYS, Quentin El petróleo que Pinta la Reproducción


All MASSYS, Quentin Oil Paintings

Flemish Northern Renaissance Painter, ca.1465-1530
 
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     MASSYS, Quentin
     Flemish Northern Renaissance Painter, ca.1465-1530		  

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MASSYS, Quentin Portrait of a Canon oil painting artist
  Pintura identificación::   33534
Retrato de un Canon
Portrait of a Canon
el Petróleo mk86 c.1510-1520 en la madera 60x73cm Vaduz
mk86 c.1510-1520 Oil on wood 60x73cm Vaduz


 
MASSYS, Quentin Ecce Homo oil painting artist
  Pintura identificación::   43551
Ecce Homo
c. 1515 Oil on panel 160 x 120 cm


 
MASSYS, Quentin Christ on the Cross with Donors oil painting artist
  Pintura identificación::   51047
Christ on the Cross with Donors
c. 1520 Oil on wood, 156 x 92,7 cm


 
MASSYS, Quentin St Mary Magdalene oil painting artist
  Pintura identificación::   63974
St Mary Magdalene
45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious


 
MASSYS, Quentin Virgin with the Child oil painting artist
  Pintura identificación::   63978
Virgin with the Child
22,5 cm Rockox House, Antwerp Around 1500, when the port of Antwerp began to emerge as the capital of north European trade, it also became a cultural melting pot. All manner of artists flocked into the town on the Scheldt. One of these was Quentin Massys from Louvain, who registered as a painter in the St. Lucas Guild in 1491, and is regarded as the founder of the Antwerp School which was soon to topple the hegemony of the School of Bruges. He remained faithful to the Flemish tradition, although the sfumato in the background of some of his landscapes shows that he was familiar with the work of Leonardo da Vinci. He is usually regarded as a painter of monumental works, and rightly so, but he also painted smaller scale scenes with figures. This is hardly surprising, since his technique had its sources in miniature paintings. The Holy Virgin with the Child Jesus, a small tondo, bears witness to the attention the master paid to sensitive, finely detailed drawing to express the tender movement of the form, and the subtle use of colour to convey the essence of a variety of textures. , Artist: MASSYS, Quentin , Virgin with the Child , 1451-1500 , Flemish Form


 
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     MASSYS, Quentin
    Flemish Northern Renaissance Painter, ca.1465-1530

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