WEYDEN, Rogier van der El petróleo que Pinta la ReproducciónAll WEYDEN, Rogier van der Oil PaintingsNetherlandish Northern Renaissance Painter, ca.1400-1464 |
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| WEYDEN, Rogier van der Netherlandish Northern Renaissance Painter, ca.1400-1464 |
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Pintura identificación:: 63919 Pierre Bladelin Triptych 1445-50 Oil on wood Staatliche Museen, Berlin The picture shows a detail of the background of the central panel depicting the Nativity.Artist:WEYDEN, Rogier van der Title: Pierre Bladelin Triptych (detail) Painted in 1401-1450 , Flemish - - painting : religious |
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Pintura identificación:: 63920 Pierre Bladelin Triptych 1445-50 Oil on wood Staatliche Museen, Berlin The picture shows a detail of the central panel depicting the Nativity.Artist:WEYDEN, Rogier van der Title: Pierre Bladelin Triptych (detail) Painted in 1401-1450 , Flemish - - painting : religious |
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Pintura identificación:: 63921 Pierre Bladelin Triptych 1445-50 Oil on wood Staatliche Museen, Berlin The picture shows a detail of the background of the central panel depicting the Nativity.Artist:WEYDEN, Rogier van der Title: Pierre Bladelin Triptych (detail) Painted in 1401-1450 , Flemish - - painting : religious |
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Pintura identificación:: 63922 Braque Family Triptych 1450 Wood, 41 x 68 cm Mus?e du Louvre, Paris The central panel shows Christ between the Virgin Mary and St John the Evangelist. The Christ is a superb figure. He is depicted as an unbending judge, from whom there radiates a dazzling, almost transparent light. He holds the globe of the earth in his left hand and raises two fingers of his right in blessing.Artist:WEYDEN, Rogier van der Title: Braque Family Triptych (central panel) Painted in 1401-1450 , Flemish - - painting : religious |
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Pintura identificación:: 63923 St Columba Altarpiece 1455 Oil on oak panel, 138 x 153 cm Alte Pinakothek, Munich The picture shows the Adoration of the Magi, the central panel of the altarpiece executed for the St Columba church in Cologne. The composition of the central panel demonstrates a masterly balance between freedom and discipline. The Virgin and Child are shifted slightly to the left of the middle axis, which appears to run through the central pillar and down into the hat of the kneeling king. In fact, however, even these two details lie slightly left of centre. This left-hand bias is compensated by the figures of the second kneeling king and the third, youngest king, visually strongly accented by his expansively angled pose. The asymmetrical ruins of the stable correspond precisely to the composition of the main group. Insofar as Rogier arranges his figures from left to right in the style of a relief and orients his architecture parallel to the pictorial plane, he remains true to the principles underlying his Descent from the Cross. Here, however, he displays a more sovereign mastery of the organic structuring of the human figure and the partial creation of spatial depth. The anachronistic little crucifix at the centre of the picture anticipates the purpose of Christ's life on earth, His act of redemption. The donor, with a rosary, kneels on the extreme left, divided from the rest of the scene by a small wall.Artist:WEYDEN, Rogier van der Title: St Columba Altarpiece (central panel) Painted in 1401-1450 , Flemish - - painting : religious |
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WEYDEN, Rogier van der Netherlandish Northern Renaissance Painter, ca.1400-1464 |
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