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HUGUET, Jaume HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492
HUILLIOT, Pierre Nicolas HUILLIOT, Pierre Nicolas
French painter (b. 1674, Paris, d. 1751, Paris
Huldrych Zwingli Huldrych Zwingli
1484-1531 fordomde alla kyrkliga bruk som inte hade sin grund i bibeln
Huntington Daniel Huntington Daniel
American Hudson River School Painter. b.1816 d.1906
HUYSUM, Jan van HUYSUM, Jan van
Dutch Painter, 1682-1749
Hyacinthe Rigaud Hyacinthe Rigaud
1659-1743 French Hyacinthe Rigaud Gallery
Inman Henry Inman Henry
American portrait, genre, and landscape painter, 1801-1846
Jacob Heinrich Elbfas Jacob Heinrich Elbfas
Swedish, born circa 1600-1664
Jacob Huysmans Jacob Huysmans
1633-1696 Flemish Jacob Huysmans Gallery
Jacob Philipp Hackert Jacob Philipp Hackert
(September 15, 1737 - April 28, 1807) was a landscape painter from Brandenburg, who did most of his work in Italy. Hackert was born in 1737 in Prenzlau in the Margraviate of Brandenburg (now in Germany). He trained with his father Philipp (a portraitist and painter of animals) and his uncle, before going to the Akademie der Kenste in Berlin in 1758. Later he traveled to Swedish Pomerania and Stockholm, where he painted murals. He spent from 1765 to 1768 in Paris, with the Swiss Artist, Balthasar Anton Dunker, where he focused on painting in gouache. He met and was inspired by Claude Joseph Vernet, who was already famous as a painter of landscapes and seascapes, and the German engraver Johann Georg Wille. In 1768 Hackert left Paris with his brother Georg, and went to Italy, basing himself mainly in Rome and Naples, where he produced many works for Sir William Hamilton. He travelled all over Italy, gaining a reputation as a talented landscape painter. In 1786 he went to work for Ferdinand I of the Two Sicilies in Naples. He advised on the creation of a painting restoration laboratory at the Museo di Capodimonte, and supervised the transfer of the Farnese collections from Rome to Naples. By this time he had an international reputation, and won commissions from empress Catherine II of Russia, king Louis XVI of France and others. When Goethe visited Naples in 1786, he and Hackert became friends.
Jacobus Hendrikus Maris Jacobus Hendrikus Maris
Dutch Painter , 1837-1899
Jacquemart de Hesdin Jacquemart de Hesdin
French Gothic Era Miniaturist, ca.1350-1410
Jaime Huguet Jaime Huguet
1415-1492 French Jaime Huguet Galleries
Jakob Philipp Hackert Jakob Philipp Hackert
German 1737-1807 Jakob Philipp Hackert Gallery
James Duffield Harding James Duffield Harding
English Painter, ca.1797-1863
James H. Cafferty James H. Cafferty
American, 1819-1869
James Hamilton James Hamilton
Irish-born American Painter, 1819-1878
James hardy jnr. James hardy jnr.
1801-1879
James Holland James Holland
1799-1870 British
James Holworthy James Holworthy
(d. 1841)
James Hope James Hope
American, born circa 1818-1892
James McDougal Hart James McDougal Hart
(May 10, 1828 - October 24, 1901), was a Scottish-born American landscape and cattle painter of the Hudson River School. His older brother, William Hart, was also a Hudson River School artist, and the two painted similar subjects. Hart was born in Kilmarnock, Scotland, and was taken to America with his family in early youth. In Albany, New York he trained with a sign and carriage maker possibly the same employer that had taken on his brother in his early career. Unlike his brother, however, James returned to Europe for serious artistic training. He studied in Munich, and was a pupil of Friedrich Wilhelm Schirmer in Dusseldorf. Hart returned to America in 1853. He exhibited his first work at the National Academy of Design in 1848, became an associate in 1857 and a full member in 1859. James Hart was particularly devoted to the National Academy, exhibiting there over a period of more than forty years, and serving as vice president late in his life from 1895 to 1899. Like his brother, James also exhibited at the Brooklyn Art Association (he lived for a time in Brooklyn) and at major exhibitions around the country. Along with most of the major landscape artists of the time, Hart based his operations in New York City and adopted the style of the Hudson River School. While James Hart and his brother William often painted similar landscape subjects, James may have been more inclined to paint exceptionally large works. An example is The Old Homestead (1862), 42 x 68 inches, in the collection of the High Museum of Art in Atlanta, Georgia. James may have been exposed to large paintings while studying in Desseldorf, a center of realist art pedagogy that also shaped the practices of Albert Bierstadt and Worthington Whittredge. William Hart, who did not seek academic European training, seems to have been more comfortable painting small and mid-sized works. Like his brother William, James excelled at painting cattle. Kevin J. Avery writes, "the bovine subjects that once distinguished now seem the embodiment of Hart's artistic complacency." In contrast with the complacency of some of his cattle scenes, his major landscape paintings are considered important works of the Hudson River School.
Jan Davidsz. de Heem Jan Davidsz. de Heem
stilllife masters, Dutch Baroque Era Painter, 1606-C.1683
Jan Davidz de Heem Jan Davidz de Heem
1606-1684 Dutch Jan Davidz de Heem Galleries
Jan Hackaert Jan Hackaert
(1628-1685) was a Dutch Golden Age painter. He travelled in Germany and Switzerland, and painted and sketched mostly landscapes.He would sketch miners at work in the mountains, and on more than one occasion this caused him trouble because the workers couldn't understand what he was doing. They felt he was either a spy or hexing them and made a complaint. Because Italianate landscapes were so fashionable, his Lake Zurich was mistaken for an Italian lake for years. He painted the landscape backgrounds for other painters, such as Nicolas Berchem and Adriaen van de Velde.
Jan Hendrik Weissenbruch Jan Hendrik Weissenbruch
painted Milking cows underneath the willows in
Jan Josef Horemans the Elder Jan Josef Horemans the Elder
1682-1759 Dutch Jan Josef Horemans Galleries
Jan Sanders van Hemessen Jan Sanders van Hemessen
1500-1566 Dutch Jan Sanders Van Hemessen Gallery
Jan van den Hecke Jan van den Hecke
(1620-1684) was a Flemish Baroque painter. According to Houbraken he painted landscapes, which he populated with animals and other figures himself. He also made flower and fruit still lifes and could paint gold, silver, crystal, and porcelain quite well. He spent a long period travelling and working in Italy, which is noticeable in his landscapes. According to the RKD he was registered in the Antwerp Guild of Saint Luke as an apprentice in 1636 and learned to paint from Abraham Hack, who also taught his contemporary, the flower painter Hieronymus Galle. In 1641 Van den Hecke was registered as a master of the guild. From 1653-1658 he was in Italy, but somewhere in the mid-50's he went back and forth to Belgium, since he is also registered in Brussels during that period. He died the same year as his wife Maria Adriana Heijens; when they died they left three children; Jan (II), aged 24, Maria, aged 21, and Peeter, aged 20. Van den Hecke's pupil Peeter de Clerc eventually became a master painter in the guild. Van den Hecke's son Jan van den Hecke II became a popular flower painter.
Jan Van Den Hoecke Jan Van Den Hoecke
Flemish Baroque Era Painter, 1611-1651
Jan van der Heyden Jan van der Heyden
1637-1712 Dutch Jan Van Der Heyden Gallery
Jan van Haensbergen Jan van Haensbergen
(1642-1705) was a Dutch Golden Age painter. He was registered in the Utrecht Guild of St. Luke in 1668 and in 1669 he was registered in the Confrerie Pictura in The Hague, where he worked until he died.According to Houbraken he was a student of Cornelius van Poelenburgh, and though he was quite successful in imitating his master's style, he switched to portraits since he could make a comfortable living that way.Though he is considered by some to have been born in Utrecht, he signed his name 'Joh. Haensbergh Gorco fecit', which leads historians to conclude he was from Gorinchem. His portraits show the influence of Caspar Netscher.
Jan van Hemessen Jan van Hemessen
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.
Jan van Huijsum Jan van Huijsum
also spelled Huijsum, (April 15, 1682, Amsterdam - February 8, 1749, Amsterdam) was a Dutch painter. He was the brother of Jacob van Huysum, the son of the flower painter Justus van Huysum, and the grandson of Jan van Huysum I, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.
Jan van Huysum Jan van Huysum
1682-1749 Dutch Jan Van Huysum Galleries
Jaume Huguet Jaume Huguet
Spanish Early Renaissance Painter, C.1415-1492
Jean Baptiste Huet Jean Baptiste Huet
(Paris, 15 October 1745-Paris, 27 January 1811) was a French painter, engraver and designer associated with pastoral and genre scenes of animals in the Rococo manner, influenced by François Boucher. Born into a family of artistse his uncle was Christophe Huet, his father Nicolas Huetehe apprenticed with the animal painter Charles Dagomer, a member of the painters' guild, the Academie de Saint-Luc, Paris, who was working in the 1760s. Huet's interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit. In 1768 he was approved by the Academie Royale, and 29 July 1769 he was received (reçu) in the minor category (petite maniere) of painter of animals and was well received in the public reviews when he began to exhibit at the Paris Salon that same year, with a Dog Attacking Geese, now at the Louvre. He continued to exhibit annually until 1789, through his attempts at the grand manner of history painting, considered the noblest genre, were not met with approval.
Jean Henri De Coene Jean Henri De Coene
Jean Henri De Coene, a Belgian painter of genre and historical subjects, was born at Nederbrakel in 1798.
Jean Hey Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500
Jean Honore Fragonard Jean Honore Fragonard
1732-1806 French Jean Honore Fragonard Locations
jean Huber jean Huber
Swiss Painter (b. 1721, Geneve, d. 1786, Bellevue) , Geneva1721-1786
Jean-Baptiste Hilair Jean-Baptiste Hilair
French, 1753-1822
Jean-Baptiste Huysmans Jean-Baptiste Huysmans
Flemish 1654-1716
Jean-Honore Fragonard Jean-Honore Fragonard
French Rococo Era Painter, 1732-1806
Jean-Jacques Henner Jean-Jacques Henner
1829-1905 French Jean Jacques Henner Galleries
Jean-Louis Hamon Jean-Louis Hamon
Plouha 1821 - Saint - Raphael, 1874. French Academic Painter, 1821-1874. Studied under Charles Gleyre.

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