Francis Davis Millet Olja Måleriet Reproducering


All Francis Davis Millet Oil Paintings

(November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.
 

 
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     Francis Davis Millet
     (November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.
 

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Francis Davis Millet Reading the Story of Oenone oil painting artist
  Måleriet Identifieringen ::   59895
Reading the Story of Oenone
Reading the Story of Oenone, ca. 1883. Painting at the Detroit Institute of Arts.


 

Francis Davis Millet An Autumn Idyll oil painting artist
  Måleriet Identifieringen ::   59896
An Autumn Idyll
An Autumn Idyll, 1892. Painting at the Brooklyn Museum.


 

 
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     

     Francis Davis Millet
    (November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.

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