Cornelis Bisschop Olja Måleriet ReproduceringAll Cornelis Bisschop Oil PaintingsIn ca. 1650 he was a student of Ferdinand Bol in Amsterdam. In 1653 he was back in Dordrecht, where he got married. According to Houbraken he was the first to paint carved trompe l'oeil wooden panels in such an ingenious way that they became quite popular. He painted historical allegories, portraits, still lifes, and genre-works. He was asked to paint for the Danish court, but he died unexpectedly, leaving his wife and eleven children. Of these children, two sons (Abraham (1660-1700) & Jacobus Bisschop (1658-1698)) and three daughters became painters. These had been his students when he died, and Margaretha van Godewijk studied with his daughters. She wrote an emblem about his self-portrait with a curtain, which illustrates the legend of Zeuxis. His son Jacobus later became a student of Augustinus Terwesten in the Confrerie Pictura |
|||
 |
|
||
|
|
|||
|
||||||||
| Cornelis Bisschop In ca. 1650 he was a student of Ferdinand Bol in Amsterdam. In 1653 he was back in Dordrecht, where he got married. According to Houbraken he was the first to paint carved trompe l'oeil wooden panels in such an ingenious way that they became quite popular. He painted historical allegories, portraits, still lifes, and genre-works. He was asked to paint for the Danish court, but he died unexpectedly, leaving his wife and eleven children. Of these children, two sons (Abraham (1660-1700) & Jacobus Bisschop (1658-1698)) and three daughters became painters. These had been his students when he died, and Margaretha van Godewijk studied with his daughters. She wrote an emblem about his self-portrait with a curtain, which illustrates the legend of Zeuxis. His son Jacobus later became a student of Augustinus Terwesten in the Confrerie Pictura |
||||||||
|
|
||||||||
|
Måleriet Identifieringen :: 77619 Self portrait as Zeuxis Date 1668 Medium Oil on canvas Dimensions 117 x 98.6 cm (46.1 x 38.8 in) cyf |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 80391 Allegory on the raid at Chatham 1668 Medium Oil on canvas Dimensions 104 x 153.5 cm (40.9 x 60.4 in) cyf |
|||||||
|
|
||||||||
|
Måleriet Identifieringen :: 83287 Allegory on the raid at Chatham 1668 Medium Oil on canvas Dimensions Original 104 x 153.5 cm (40.9 x 60.4 in) cyf |
|||||||
|
|
||||||||
|
| FÖREGÅENDE KONSTNÄR Nästa Konstnär | |||||||
|
|
||||||||
|
Cornelis Bisschop In ca. 1650 he was a student of Ferdinand Bol in Amsterdam. In 1653 he was back in Dordrecht, where he got married. According to Houbraken he was the first to paint carved trompe l'oeil wooden panels in such an ingenious way that they became quite popular. He painted historical allegories, portraits, still lifes, and genre-works. He was asked to paint for the Danish court, but he died unexpectedly, leaving his wife and eleven children. Of these children, two sons (Abraham (1660-1700) & Jacobus Bisschop (1658-1698)) and three daughters became painters. These had been his students when he died, and Margaretha van Godewijk studied with his daughters. She wrote an emblem about his self-portrait with a curtain, which illustrates the legend of Zeuxis. His son Jacobus later became a student of Augustinus Terwesten in the Confrerie Pictura |
||||||||
|
|
||||||||
|
KOMMA I KONTAKT MED Oss |