Arturo Ferrari Olja Måleriet Reproducering


All Arturo Ferrari Oil Paintings

(Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
 

 
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     

     Arturo Ferrari
      (Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
 

Search Now !


Arturo Ferrari Fifteenth-Century Courtyard in Castiglione Olona oil painting artist
  Måleriet Identifieringen ::   92736
Fifteenth-Century Courtyard in Castiglione Olona
1895(1895) Medium oil on canvas Dimensions Height: 145.5 cm (57.3 in). Width: 220.5 cm (86.8 in). cjr


 

Arturo Ferrari Church and Houses oil painting artist
  Måleriet Identifieringen ::   93067
Church and Houses
between 1925(1925) and 1932(1932) Medium oil on paper Dimensions Height: 29.5 cm (11.6 in). Width: 41 cm (16.1 in). cjr


 

Arturo Ferrari Interior of Milan Cathedral oil painting artist
  Måleriet Identifieringen ::   93090
Interior of Milan Cathedral
1888(1888) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 70 cm (27.6 in). cjr


 

Arturo Ferrari Church of Santo Stefano in Borgogna in Milan oil painting artist
  Måleriet Identifieringen ::   93091
Church of Santo Stefano in Borgogna in Milan
1896(1896) Medium oil on canvas Dimensions Height: 138 cm (54.3 in). Width: 96 cm (37.8 in). cjr


 

 
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     

     Arturo Ferrari
     (Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.

KOMMA I KONTAKT MED Oss
Xiamen Porslinet Engros- Olja Måleriet Sjukbåren Bomma till Engros- Stomme Mögel Spegel Stomme Spännet