robert delaunay Olja Måleriet Reproducering


All robert delaunay Oil Paintings

French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.
 
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     robert delaunay
     French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art. 		 

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robert delaunay Paysage de Laon oil painting artist
  Måleriet Identifieringen ::   97388
Paysage de Laon
oil on canvas, 100 x 65 cm Date 1912(1912) cyf


 
robert delaunay Marche Breton oil painting artist
  Måleriet Identifieringen ::   97389
Marche Breton
oil on canvasboard, 28.5 x 35.2 cm Date 1905(1905) cyf


 
robert delaunay homme a la tulipe oil painting artist
  Måleriet Identifieringen ::   97390
homme a la tulipe
oil on canvas, 72.4 x 48.5 cm Date 1906(1906) cyf


 
robert delaunay Le rocher devant la mer oil painting artist
  Måleriet Identifieringen ::   97548
Le rocher devant la mer
oil on canvas, 46.5 x 65 cm Date circa 1904(1904) cyf


 
robert delaunay Portrait de Madame Heim oil painting artist
  Måleriet Identifieringen ::   97886
Portrait de Madame Heim
oil on board, 107.3 x 72.7 cm Date between 1926(1926) and 1927(1927) cyf


 
       Föregående  1  2  3  4   NÄSTA
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     robert delaunay
    French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.

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