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Paul Raud (22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.
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Måleriet Identifieringen :: 74644 Field of flowers
English: Field of flowers, 1906-1911. Oil
cyf
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Måleriet Identifieringen :: 79498 A Lady in a Red Hat
1893(1893)
Oil on canvas
61 x 50 cm (24 x 19.7 in)
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Måleriet Identifieringen :: 91555 a road in park
Oil on canvas. 34.2 x 24.2 cm
1910
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Måleriet Identifieringen :: 92390 Self-Portrait with a Hat
Date 1900(1900)
Medium oil on canvas
Dimensions 28.1 X 22.4 cm (11.1 X 8.8 in)
ttd
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Måleriet Identifieringen :: 93800 At the Rakvere Cemetery
1895(1895)
Medium oil on canvas
Dimensions 24 x 30.5 cm (9.4 x 12 in)
cjr
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| FÖREGÅENDE KONSTNÄR Nästa Konstnär
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Paul Raud (22 October 1865 in Kirikukela, Viru-Jaagupi Parish C 22 November 1930 in Tallinn) was an Estonian painter. The twin brother of painter Kristjan Raud, he studied in Desseldorf beginning in 1886, becoming influenced by the work of Eduard Gebhardt. After his return to Estonia, he painted mainly portrait commissions for some time, before traveling with his brother and Amandus Adamson to the islands of Muhu and Pakri in 1896. His works of this period are reminiscent of those of Max Liebermann. In 1899 he returned to work in Germany, taking on some of the stylistic trappings of Impressionism; this, coupled with time spent working with Ilya Repin, influenced his later style. Later in his career, most especially during and after World War I, he began to teach, from 1915 working as a drawing instructor at the Tallinn Institute of Commerce and from 1923 at the State School of Industrial Art in Tallinn.
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