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Juan Luna Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. |
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Måleriet Identifieringen :: 83551 Tampuhan
Tampuhan (English: "Sulking") painting by Filipino painter and political activist Juan Luna
Date 1895(1895)
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Måleriet Identifieringen :: 83552 The Naval Battle of Lepanto of 1571 waged by Don John of Austria. Don Juan of Austria in battle, at the bow of the ship,
The Naval Battle of Lepanto of 1571 waged by Don John of Austria. Don Juan of Austria in battle, at the bow of the ship, painted by Juan Luna y Novicio.
Date circa 1880s
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Måleriet Identifieringen :: 83553 The Blood Compact
The Blood Compact, painting by Filipino painter and political activist Juan Luna
1886
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Måleriet Identifieringen :: 83554 The Parisian Life
The Parisian Life (French: Interior d'un Cafi) painting by Filipino painter and political activist Juan Luna
Date 1892(1892)
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Måleriet Identifieringen :: 92083 Spolarium
oil on canvas
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| FÖREGÅENDE KONSTNÄR Nästa Konstnär
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Juan Luna Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary.
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