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Dirk van Delen Dirk van Delen
(born ca. 1605 - died May 16, 1671) was a Dutch Golden Age painter. According to Houbraken, he was born in Heusden, and was a student of Frans Hals. In 1626 he moved to Zeeland and became mayor of Arnemuiden. He specialized in architectural studies. Shortly after he was born his parents moved to Breda. He married in Middelburg in 1625. Though he is registered in Arnemuiden from the following year until his death, he became a member of the Middelburg Guild of St. Luke from 1639-1665. In 1666 he gave a painting to the Antwerp chamber of rhetoric Olyftak, that was a collaboration with the painter Theodoor Boeyermans. In 1668 he became a member of the Olyftak. The staffage of his baroque churches has at times been attributed to other painters, such as Anthonie Palamedesz, Dirck Hals, and Pieter Codde. He died in Arnemuiden.
Dirk van der Aa Dirk van der Aa
Dirk van der Aa , 1731 -- February 23, 1809. He was born in The Hague, and first apprenticed to Johann Heinrich Keller, and then to Gerrit Mes with whom he would later start a workshop; they specialized in grisaille decorative paintings. He counted Evert Morel, Cornelis Kuipers, Johan Christiaan Roedig and Andries van der Aa amongst his students. He died in his home city of The Hague.
Dixon, Maria Dixon, Maria
American Painter, 19th Century
Dmitry Levitzky Dmitry Levitzky
1735-1822) was a Russian-Ukrainian portrait painter. Dmitry was born in Kiev, Ukraine, in a family of clergyman and engraver Grigory Levitzky. His father was his first art teacher. Later be became a pupil of Aleksey Antropov who came to Kiev to paint the Cathedral of St. Andrew. In 1770, Levitzky became famous as a portrait painter after the exhibition of six of his portraits in the Imperial Academy of Arts in St. Petersburg. For the portrait of Alexander Kokorinov, Director and First Rector of the Academy of Arts in St. Petersburg (1769) he was elected an academician and appointed the Professor of the portrait painting class at the Academy of Arts.
DOBSON, William DOBSON, William
English Baroque Era Painter, ca.1611-1646
DOLCI, Carlo DOLCI, Carlo
Italian Baroque Era Painter, 1616-ca.1686
Domenica Battaglia Domenica Battaglia
painted La Fontana delle Paperelle, Napoli, in 1842/46-1904
Domenichino Domenichino
1581-1641 Italian Domenichino Locations
Domenicho Ghirlandaio Domenicho Ghirlandaio
Renaissance Artists , 1449-94
Domenico Beccafumi Domenico Beccafumi
c1486-1551 Domenico Beccafumi Gallery
Domenico Brusasorci Domenico Brusasorci
Italian High Renaissance Painter , Verona 1515 ca. - 1567
domenico chirlandaio domenico chirlandaio
Domenico Ghirlandaio (1449 - 11 January 1494) was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo. Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi. The occupation of his father Tommaso Bigordi and his uncle Antonio in 1451 was given as 'setaiuolo a minuto,' that is, dealers of silks and related objects in small quantities. He was the eldest of six children born to Tommaso Bigordi by his first wife Mona Antonia; of these, only Domenico and his brothers and collaborators Davide and Benedetto survived childhood. Tommaso had two more children by his second wife, also named Antonia, whom he married in 1464. Domenico's half-sister Alessandra (b. 1475) married the painter Bastiano Mainardi in 1494. Domenico was at first apprenticed to a jeweller or a goldsmith, most likely his own father. The nickname Il Ghirlandaio (garland-maker) came to Domenico from his father, a goldsmith who was famed for creating the metallic garland-like necklaces worn by Florentine women. In his father's shop, Domenico is said to have made portraits of the passers-by, and he was eventually apprenticed to Alessio Baldovinetti to study painting and mosaic.
DOMENICO DA TOLMEZZO DOMENICO DA TOLMEZZO
Italian painter, Venetian school (b. ca. 1448, Friuli, d. 1507, Friuli)
DOMENICO DI BARTOLO DOMENICO DI BARTOLO
Italian Early Renaissance Painter, 1400-ca.1447
DOMENICO DI MICHELINO DOMENICO DI MICHELINO
Italian painter, Florentine school (b. 1417, Firenze, d. 1491, Firenze)
Domenico di Pace Beccafumi Domenico di Pace Beccafumi
(1486?CMay 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school.
Domenico Fetti Domenico Fetti
Italian painter , Rome 1589 - Venice 1623
Domenico Ghirlandaio Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries
Domenico Induno Domenico Induno
(1815 - 1878) was an Italian painter, originally a goldsmith. He was born and died in Milan, and studied in the Academy of Fine Arts in Milan, as well as under Luigi Sabatelli and at Rome. He tried successively the Neoclassicism and Romantic schools, but afterwards settled down to depict popular life at Milan. In 1848 he took part with the Revolution, and had in consequence to flee to Switzerland. Thence he passed to Tuscany, and did not return home until 1859. His brother Gerolamo Induno was also a painter. Domenico married the sister of the Swiss painter Angelo Trezzini. Domenico often painted patriotic canvases, in a style indebted both to Ingres and Francesco Hayez. Among his paintings are:
Domenico Maggiotto Domenico Maggiotto
painted The Fruit Girl in 1745 - 1770
Domenico Morelli Domenico Morelli
Italian, 1826-1901
Domenico Puligo Domenico Puligo
(1492-1527) was an Italian painter of the Renaissance, active in Florence. His real name was Domenico di Bartolommeo Ubaldini. He was trained by Ridolfo Ghirlandaio, but acquired a style consistent with his contemporary Andrea del Sarto. He painted a Vision of Saint Bernard altarpiece, now in Walters' Gallery in Baltimore. He was also in demand for portraits. He is featured in Giorgio Vasari's Vite or biographies of artists. He excelled as a portrait painter. He befriended Andrea del Sarto ane worked with Ridolfo Ghirlandaio. His brother, Jacone Puligo was also a Renaissance painter.
Domenico Quaglio Domenico Quaglio
(1787-1837) was a German painter, engraver, stage designer, and architect. He was the second son of Giuseppe Quaglio and part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography for the court theaters. He known as a landscape and architectural painter/decorator, including quadratura. He was born in Munich. He was taught perspective and scene-painting by his father, and engraving by Mettenleiter and Karl Hess. In 1819 he resigned his post as scene-painter, and occupied himself only with architecture, for which he obtained subjects in the Netherlands, Italy, France, and England. As architect in charge, Domenico Quaglio was responsible for the neogothic style of the exterior design of Hohenschwangau Castle, summer and hunting residence of King Maximilian II of Bavaria, son of King Ludwig I of Bavaria and father of King Ludwig II. Quaglio died at Hohenschwangau in 1837.
Domenico Tintoretto Domenico Tintoretto
Italian, 1560-1635
DOMENICO VENEZIANO DOMENICO VENEZIANO
Italian Early Renaissance Painter, ca.1400-1461
Domenico Zampieri Domenico Zampieri
(October 21, 1581 C April 16, 1641) was an Italian Baroque painter of the Bolognese School, or Carracci School, of painters. Domenichino was born at Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including A Virgin with a Unicorn (c. 1604-5), he painted three of his own frescoes in the Loggia del Giardino of the Palazzo Farnese c. 1603-04. With the support of Monsignor Giovanni Battista Agucchi, the maggiordomo to Cardinal Aldobrandini and later Gregory XV, and Giovanni??s brother Cardinal Girolamo Agucchi, Domenichino obtained further commissions in Rome. His most important project of the first decade was decoration of the Cappella dei Santissimi Fondatori in the medieval basilica of the Abbey of Grottaferrata (1608-10), some 20 kilometers outside Rome, where Odoardo Farnese was the titular abbot. Meanwhile he had completed frescoes c. 1604-05 in the church of Sant'Onofrio, feigned stucco decoration of 1606-07 in the Palazzo Mattei, a large scene of The Flagellation of St. Andrew at San Gregorio Magno, painted in competition with a fresco by Reni that faces it, and a ceiling with Scenes from the Life of Diana, 1609, in the Villa Odescalchi at Bassano di Sutri (today Bassano Romano). Following Annibale Carracci's death in 1609, Annibale's Bolognese pupils, foremost Domenichino, Albani, Reni and Lanfranco, became the leading painters in Rome (Caravaggio had left Rome in 1606 and his followers there did not compete successfully with the Bolognese for fresco or altarpiece commissions). One of Domenichino's masterpieces, his frescoes of Scenes of the Life of Saint Cecilia in the Polet Chapel of San Luigi dei Francesi, was commissioned in 1612 and completed in 1615. Concurrently he painted his first, and most celebrated, altarpiece, The Last Communion of St. Jerome for the church of San Girolamo della Carite (signed and dated, 1614). It subsequently would be judged as being comparable to Raphael great Transfiguration and even as "the best picture in the world." By late 1616, Domenichino had designed the coffered ceiling with The Assumption of the Virgin in Santa Maria in Trastevere; and he had begun a cycle of ten frescoes depicting the Life of Apollo in a garden pavilion of the Villa Aldobrandini (Belvedere) in Frascati, where he was assisted by Giovanni Battista Viola, a Bolognese artist who, like Domenichino himself, was a pioneer in the development of classicistic landscape painting. From 1617 until 1621, Domenichino was absent from Rome, working in Bologna and at Fano, where during 1618-19 he frescoed the Nolfi chapel of the Fano Cathedral with Scenes from the Life of the Virgin. With the election of a Bolognese pope (Gregory XV) in 1621, Domenichino returned to Rome. Appointed Papal Architect (he built little but left drawings for various projects, most notably for the façade of Sant'Andrea della Valle and for the plan of Sant'Ignazio, both in Rome), he nonetheless continued to be most active as a painter, obtaining many commissions for altarpieces in Roman churches (San Lorenzo in Miranda, 1626-27, SS. Giovanni Evangelista e Petronio dei Bolognese, 1626-29, Santa Maria della Vittoria, 1629-30, and St. Peter's, 1625-30). He also executed numerous frescoes in Rome during the 1620s: a ceiling in the Palazzo Costaguti (c. 1622); the choir and pendentives in Sant'Andrea della Valle, where he worked in fierce competition with Lanfranco, who painted the dome above Domenichino's pendentives; and the pendentives of San Silvestro al Quirinale (c. 1628) and San Carlo ai Catinari (1628-30).
Domingo Garcia y Vasquez Domingo Garcia y Vasquez
painted Ponta do Cavalao - Niteroi in 1883
Domingos Antonio de Sequeira Domingos Antonio de Sequeira
painted Familia Barros in19th century
Domingos Sequeira Domingos Sequeira
Domingos Sequeira (1768-1837).
Dominic Serres Dominic Serres
British Painter, 1722-1793
Dominique Vivant Denon Dominique Vivant Denon
French, 1747-1825
Donat, Johann Daniel Donat, Johann Daniel
painted Emperor Leopold II in the regalia of the in 1806
Donatello Donatello
Italian Early Renaissance Sculptor, 1386-1466
Donatien Nonotte Donatien Nonotte
France (1708 -1785 ) - Painter
Donato Creti Donato Creti
(1671-1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni
Donna Schuster Donna Schuster
1883-1953
Dora Carrington Dora Carrington
British Painter, 1893-1932
Dorfmeister, Istvan Dorfmeister, Istvan
Hungarian Painter, ca.1729-1797
Dorofield Hardy Dorofield Hardy
1882-1927
DOSSI, Dosso DOSSI, Dosso
Italian High Renaissance Painter, ca.1490-1542
Dosso Dossi Dosso Dossi
1479-1542 Italian Dosso Dossi Locations
DOU, Gerrit DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675
Douglas Cowper Douglas Cowper
painted William Powell Frith in 1836-1838
Douglas Morison Douglas Morison
1814-1847
Douglas Volk Douglas Volk
1856-1935
DROST, Willem DROST, Willem
Dutch Baroque Era Painter, ca.1630-1680
Duccio Duccio
1255-c1319 Italian Duccio Location
Duccio di Buoninsegna Duccio di Buoninsegna
1255-1318 Italian Duccio di Buoninsegna Locations
DUCK, Jacob
Dutch painter (b. ca. 1600, Utrecht, d. after 1660, Utrecht)

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