Porslinet engros- Olja måleriet Engros- Måleriet Porslinet
|
|
|
|
|
|
|
|
dierec bouts was an Early Netherlandish painter.
According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475.
Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his Last Supper). His work has a certain primitive stiffness of drawing, but his pictures are highly expressive, well designed and rich in colour.
|
|
|
|
Click to Enlarge
|
last supper altarpiece
|
mk247
1464 to 1467,oil on wood,72.875x111.875 in,185x284 cm,church of saint peter,leuven,belgium
|
was an Early Netherlandish painter.
According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475.
Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his Last Supper). His work has a certain primitive stiffness of drawing, but his pictures are highly expressive, well designed and rich in colour.
|
Måleriet Identifieringen :: 57076
|
|
|
|
|
|
|
dierec bouts
was an Early Netherlandish painter.
According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475.
Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his Last Supper). His work has a certain primitive stiffness of drawing, but his pictures are highly expressive, well designed and rich in colour.
mk247
1464 to 1467,oil on wood,72.875x111.875 in,185x284 cm,church of saint peter,leuven,belgium
|
Related Paintings to dierec bouts :. | Hortus Conclusus of the Virgin Mary | Portrait of a Man | Sigismondo Pandolfo Malatesta | Head of an Angel | Saturn Devouring One of His Chidren | |
|
|
|
|
KOMMA I KONTAKT MED Oss
Xiamen Porslinet Engros- Olja Måleriet Sjukbåren Bomma till Engros- Stomme Mögel Spegel Stomme Spännet |
|