Porslinet engros- Olja måleriet Engros- Måleriet Porslinet
Föregående       NÄSTA     
   
 Michelangelo Buonarroti
 b Caprese 1475 d Rome 1564
  

Search Now !

Michelangelo Buonarroti Azor Zadok oil painting on canvas
Click to Enlarge
Azor Zadok
1511-12 Fresco Cappella Sistina, Vatican "Eliakim begat Azor. Azor begat Zadok. Zadok begat Achim." (Matthew 1:13-14) This is the first lunette on the north wall. The absence of information regarding the figures represented has thwarted any attempt to identify them. On the left a seated woman is shown indicating something outside the lunette to a boy (or a girl) who seems to be engrossed in writing or drawing and turns somewhat hesitantly. The woman's pose, with its great naturalness and self-possession, is a variation on the twisted head, shoulders, and legs of the other figures. On the other side of the lunette, seen sideways on, but with his head turned toward the viewer, sits a solitary mature man, his face furrowed by deep lines. Tightly wrapped in his yellow ochre mantle, from which only his head and an arm emerge, he appears to be prey to distressing thoughts. The body, modelled concisely with great plastic power by the interplay of light and shade, and the pattern of the folds of the mantle, stands out clearly against the background. The number of figures present in this lunette is half that of the first lunettes painted by Michelangelo. This sense of isolation intensifies the expressive power of the figure of the pensive man, which some interpreted as being an imaginary self-portrait of the artist. Artist: MICHELANGELO Buonarroti Painting Title: Azor - Zadok , 1501-1550 Painting Style: Italian , , religious
b Caprese 1475 d Rome 1564
Måleriet Identifieringen ::  62939


Michelangelo Buonarroti
b Caprese 1475 d Rome 1564
1511-12 Fresco Cappella Sistina, Vatican "Eliakim begat Azor. Azor begat Zadok. Zadok begat Achim." (Matthew 1:13-14) This is the first lunette on the north wall. The absence of information regarding the figures represented has thwarted any attempt to identify them. On the left a seated woman is shown indicating something outside the lunette to a boy (or a girl) who seems to be engrossed in writing or drawing and turns somewhat hesitantly. The woman's pose, with its great naturalness and self-possession, is a variation on the twisted head, shoulders, and legs of the other figures. On the other side of the lunette, seen sideways on, but with his head turned toward the viewer, sits a solitary mature man, his face furrowed by deep lines. Tightly wrapped in his yellow ochre mantle, from which only his head and an arm emerge, he appears to be prey to distressing thoughts. The body, modelled concisely with great plastic power by the interplay of light and shade, and the pattern of the folds of the mantle, stands out clearly against the background. The number of figures present in this lunette is half that of the first lunettes painted by Michelangelo. This sense of isolation intensifies the expressive power of the figure of the pensive man, which some interpreted as being an imaginary self-portrait of the artist. Artist: MICHELANGELO Buonarroti Painting Title: Azor - Zadok , 1501-1550 Painting Style: Italian , , religious

Related Paintings to Michelangelo Buonarroti :.
| Christ in the Storm on the Lake of Galilee, | 16th Century Painting | The Bard | stenskvatta | Mahathupa Ruvvanveliseya-dagaba, Anuradhapura |

Föregående       NÄSTA     

KOMMA I KONTAKT MED Oss
Xiamen Porslinet Engros- Olja Måleriet Sjukbåren Bomma till Engros- Stomme Mögel Spegel Stomme Spännet