Domenichino

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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Domenichino Madonna and Child with St Petronius and St John the Baptist dg oil


Madonna and Child with St Petronius and St John the Baptist dg
Painting ID::  6422 		Madonna and Child with St Petronius and St John the Baptist dg
1629 Oil on canvas, 430 x 278 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
Domenichino The Sacrifice of Isaac ehe oil


The Sacrifice of Isaac ehe
Painting ID::  6423 		The Sacrifice of Isaac ehe
Oil on canvas, 147 x 140 cm Museo del Prado, Madrid
Oil_on_canvas,_147_x_140_cm Museo_del_Prado,_Madrid
   
   
     
Domenichino A Sibyl dtj oil


A Sibyl dtj
Painting ID::  6424 		A Sibyl dtj
1616-17 Oil on canvas Galleria Borghese, Rome
1616-17 Oil_on_canvas Galleria_Borghese,_Rome
   
   
     
Domenichino The Cumaean Sibyl ertw oil


The Cumaean Sibyl ertw
Painting ID::  6425 		The Cumaean Sibyl ertw
c. 1610 Oil on canvas Pinacoteca Capitolina, Rome
c._1610 Oil_on_canvas Pinacoteca_Capitolina,_Rome
   
   
     
Domenichino Saint Agnes drtw oil


Saint Agnes drtw
Painting ID::  6426 		Saint Agnes drtw
c. 1620 Oil on canvas, 213,4 x 152,4 cm Royal Collection, Windsor
   
   
     
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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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