Domenichino

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.


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Domenichino The Assumption of Mary Magdalen into Heaven oil


The Assumption of Mary Magdalen into Heaven
Painting ID::  55724
The Assumption of Mary Magdalen into Heaven
mk244 c.1617-1621 Oil on canvas 129x100cm
mk244 c.1617-1621 Oil_on_canvas 129x100cm
   
   
     

Domenichino st.george killing the dragon oil


st.george killing the dragon
Painting ID::  56047
st.george killing the dragon
mk247 c.1610,oil on wood,20.75x24.12 in ,53x62 cm,national gallery,london,uk
   
   
     

Domenichino Martyrdom of St. Peter the Martyr, oil


Martyrdom of St. Peter the Martyr,
Painting ID::  58686
Martyrdom of St. Peter the Martyr,
Martyrdom of St. Peter the Martyr, c. 1619-21, Pinacoteca Nazionale di Bologna.
   
   
     

Domenichino A Virgin with a Unicorn oil


A Virgin with a Unicorn
Painting ID::  58689
A Virgin with a Unicorn
A Virgin with a Unicorn, c. 1604-05, fresco in Palazzo Farnese, Rome, by Domenichino after a design by Annibale Carracci
   
   
     

Domenichino St. Cecilia Distributing Alms oil


St. Cecilia Distributing Alms
Painting ID::  58690
St. Cecilia Distributing Alms
St. Cecilia Distributing Alms, fresco, 1612-15, San Luigi dei Francesi, Rome
   
   
     

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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