Le Pétrole en gros de Chine Peignant le Miroir de Cadre Moulant
Huiler des Tableaux:: vie calme
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Artist: Albrecht Durer
Albrecht Durer Iris oil painting picture wholesale

Iris
1503 Brush, pen, ink, watercolour and body-colour, height: 77cm Kunsthalle, Bremen The flower (Iris trojana, formerly Iris germanica) was konown in the 15th century only in Venice. D?rer was probably inspired by the sketchbook of Jacopo Bellini during his fist stay in Venice.Artist:D?RER, Albrecht Title: Iris Painted in 1501-1550 , German - - graphics : other
ID de tableau::  63585
5392 ago.
Artist: Albrecht Durer
Painting: Iris
Information: 1503 Brush, pen, ink, watercolour and body-colour, height: 77cm Kunsthalle, Bremen The flower (Iris trojana, formerly Iris germanica) was konown in the 15th century only in Venice. D?rer was probably inspired by the sketchbook of Jacopo Bellini during his fist stay in Venice.Artist:D?RER, Albrecht Title: Iris Painted in 1501-1550 , German - - graphics : other

Artist: Barna da Siena
Barna da Siena The Annunciation oil painting picture wholesale

The Annunciation
1340 Fresco Collegiate, San Gimignano The picture shows the upper scene of the fresco cycle.Artist:BARNA DA SIENA Title: The Annunciation Painted in 1301-1350 , Italian - - painting : religious
ID de tableau::  63539
5394 ago.
Artist: Barna da Siena
Painting: The Annunciation
Information: 1340 Fresco Collegiate, San Gimignano The picture shows the upper scene of the fresco cycle.Artist:BARNA DA SIENA Title: The Annunciation Painted in 1301-1350 , Italian - - painting : religious

Artist: Barna da Siena
Barna da Siena Scenes from the New Testament oil painting picture wholesale

Scenes from the New Testament
1340 Fresco, height 800 cm Collegiate, San Gimignano The represented scenes are The Annunciation, The Entry into Jerusalem, The Betrayal of Judas and The Last Supper. This cycle is related to the frescos in the Campo Santo in Pisa and to the frescoes by Orcagna.Artist:BARNA DA SIENA Title: Scenes from the New Testament Painted in 1301-1350 , Italian - - painting : religious
ID de tableau::  63538
5394 ago.
Artist: Barna da Siena
Painting: Scenes from the New Testament
Information: 1340 Fresco, height 800 cm Collegiate, San Gimignano The represented scenes are The Annunciation, The Entry into Jerusalem, The Betrayal of Judas and The Last Supper. This cycle is related to the frescos in the Campo Santo in Pisa and to the frescoes by Orcagna.Artist:BARNA DA SIENA Title: Scenes from the New Testament Painted in 1301-1350 , Italian - - painting : religious

Artist: WILLEBEECK, Petrus
WILLEBEECK, Petrus Still-Life - Oil on canvas oil painting picture wholesale

Still-Life - Oil on canvas
80 x 110 cm Rockox House, Antwerp Petrus Willebeeck was a still-life painter active in Antwerp. Artist: WILLEBEECK, Petrus Painting Title: Still-Life , 1601-1650 Painting Style: Flemish , , still-life
ID de tableau::  63062
5430 ago.
Artist: WILLEBEECK, Petrus
Painting: Still-Life - Oil on canvas
Information: 80 x 110 cm Rockox House, Antwerp Petrus Willebeeck was a still-life painter active in Antwerp. Artist: WILLEBEECK, Petrus Painting Title: Still-Life , 1601-1650 Painting Style: Flemish , , still-life

Artist: unknow artist
unknow artist Annunciation oil painting picture wholesale

Annunciation
1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life
ID de tableau::  63008
5436 ago.
Artist: unknow artist
Painting: Annunciation
Information: 1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life

Artist: GHIRLANDAIO, Domenico
GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil painting picture wholesale

Madonna and Child Enthroned with Saints
1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life
ID de tableau::  62995
5439 ago.
Artist: GHIRLANDAIO, Domenico
Painting: Madonna and Child Enthroned with Saints
Information: 1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life

Artist: Michelangelo Buonarroti
Michelangelo Buonarroti Porta Pia begun oil painting picture wholesale

Porta Pia begun
1562 - Porta Pia, Rome Traces of Michelangelo's architectural activities are found in some parts of Rome. There are, for example, the sombre, crenellated bastions of the Porta Pia, where it is evident that the architect was primarily a sculptor. The central section, belonging to the 19th century, greatly weakens the dignified appearance of the original. Artist: MICHELANGELO Buonarroti Title: Porta Pia Date: 1501-1550 Italian , graphics : other
ID de tableau::  62912
5456 ago.
Artist: Michelangelo Buonarroti
Painting: Porta Pia begun
Information: 1562 - Porta Pia, Rome Traces of Michelangelo's architectural activities are found in some parts of Rome. There are, for example, the sombre, crenellated bastions of the Porta Pia, where it is evident that the architect was primarily a sculptor. The central section, belonging to the 19th century, greatly weakens the dignified appearance of the original. Artist: MICHELANGELO Buonarroti Title: Porta Pia Date: 1501-1550 Italian , graphics : other

Artist: Eugene Delacroix
Eugene Delacroix Bouquet of Flowers oil painting picture wholesale

Bouquet of Flowers
1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life
ID de tableau::  62516
5504 ago.
Artist: Eugene Delacroix
Painting: Bouquet of Flowers
Information: 1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life

Artist: Philipp Otto Runge
Philipp Otto Runge Colour Spheres oil painting picture wholesale

Colour Spheres
1809 Copper engraving with watercolour, 225 x 189 mm Kunsthalle, Hamburg Runge was in close contact with Goethe over questions of colour theory. In his correspondence Newton's name crops up , the person present in the spirit of the whole age, an age as Enlightened as it was searching. In his painting Runge sought to derive the visible "images" or "symbols" for the "all-unifying" principle not only from form but from colour too. Author: RUNGE, Philipp Otto Title: Colour Spheres Form: graphics , 1801-1850 , German , other
ID de tableau::  62453
5512 ago.
Artist: Philipp Otto Runge
Painting: Colour Spheres
Information: 1809 Copper engraving with watercolour, 225 x 189 mm Kunsthalle, Hamburg Runge was in close contact with Goethe over questions of colour theory. In his correspondence Newton's name crops up , the person present in the spirit of the whole age, an age as Enlightened as it was searching. In his painting Runge sought to derive the visible "images" or "symbols" for the "all-unifying" principle not only from form but from colour too. Author: RUNGE, Philipp Otto Title: Colour Spheres Form: graphics , 1801-1850 , German , other

Artist: unknow artist
unknow artist Tabernacle oil painting picture wholesale

Tabernacle
1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious
ID de tableau::  62429
5516 ago.
Artist: unknow artist
Painting: Tabernacle
Information: 1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious

Artist: Johan Christian Dahl
Johan Christian Dahl Interior with decoration oil painting picture wholesale

Interior with decoration
1739-64 - Benedictine Abbey, Ottobeuren The most grandiose of the monasteries rebuilt in Germany in the eighteenth century is the Benedictine Monastery of Ottobeuren near the frontier between Swabia and Bavaria; several architect (Simpert Kraemer, Joseph Effner, Johann Michael Fischer) worked on it and it was completed with all the buildings originally projected. The innumerable statues (mainly by Johann Josef Christian), ornamental motifs (by Johann Michael Feuchtmayr), and paintings (ceiling frescoes by Johann Jakob Zeiller) in the church join together rhythmically in that symphonic unity to which the Germans have given the name 'Gesamtkunstwerk.' The huge monastery, of which the church forms a part, is a kind of summing up of German Rococo. Author: CHRISTIAN, Johann Josef Title: Interior with decoration , 1751-1800 , German Form: sculpture , interior
ID de tableau::  62425
5518 ago.
Artist: Johan Christian Dahl
Painting: Interior with decoration
Information: 1739-64 - Benedictine Abbey, Ottobeuren The most grandiose of the monasteries rebuilt in Germany in the eighteenth century is the Benedictine Monastery of Ottobeuren near the frontier between Swabia and Bavaria; several architect (Simpert Kraemer, Joseph Effner, Johann Michael Fischer) worked on it and it was completed with all the buildings originally projected. The innumerable statues (mainly by Johann Josef Christian), ornamental motifs (by Johann Michael Feuchtmayr), and paintings (ceiling frescoes by Johann Jakob Zeiller) in the church join together rhythmically in that symphonic unity to which the Germans have given the name 'Gesamtkunstwerk.' The huge monastery, of which the church forms a part, is a kind of summing up of German Rococo. Author: CHRISTIAN, Johann Josef Title: Interior with decoration , 1751-1800 , German Form: sculpture , interior

Artist: Johan Christian Dahl
Johan Christian Dahl Organ oil painting picture wholesale

Organ
1754-56 - Benedictine Abbey, Ottobeuren The stalls and woodwork of the organ in the "Swabian Escorial" were done by Josef Christian, sculptor, Martin Hormann, cabinetmaker and Karl Josef Riepp, organ-maker, who together created one of the most beautiful musical instruments of all time. The relationship of masses and supports on the triple-storied organ, beneath the frescoed vault, the exuberance of forms in the cabinetwork and stuccoes, the variety in the sculptural vocabulary for the atlantes and the gilded reliefs - in themselves suggesting a harmony appropriate to 18th-century musical forms - combine in the ideal, total masterpiece that was to transmit the monks' prayers to the Heavens. It is the only 18th-century organ that still preserves entire its original form
ID de tableau::  62423
5518 ago.
Artist: Johan Christian Dahl
Painting: Organ
Information: 1754-56 - Benedictine Abbey, Ottobeuren The stalls and woodwork of the organ in the "Swabian Escorial" were done by Josef Christian, sculptor, Martin Hormann, cabinetmaker and Karl Josef Riepp, organ-maker, who together created one of the most beautiful musical instruments of all time. The relationship of masses and supports on the triple-storied organ, beneath the frescoed vault, the exuberance of forms in the cabinetwork and stuccoes, the variety in the sculptural vocabulary for the atlantes and the gilded reliefs - in themselves suggesting a harmony appropriate to 18th-century musical forms - combine in the ideal, total masterpiece that was to transmit the monks' prayers to the Heavens. It is the only 18th-century organ that still preserves entire its original form

Artist: unknow artist
unknow artist Antigua Altar oil painting picture wholesale

Antigua Altar
1545-62 Polychrome wood Cathedral, Valladolid Juan de Juni received the commission for the Antigua altarpiece in 1545 and he finished it in 1562. (It was installed in Valladolid Cathedral in 1922.) Juni tried to produce a classical work in an architectural framework - the firt he ever used. Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism
ID de tableau::  62418
5518 ago.
Artist: unknow artist
Painting: Antigua Altar
Information: 1545-62 Polychrome wood Cathedral, Valladolid Juan de Juni received the commission for the Antigua altarpiece in 1545 and he finished it in 1562. (It was installed in Valladolid Cathedral in 1922.) Juni tried to produce a classical work in an architectural framework - the firt he ever used. Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism

Artist: Renard Emile
Renard Emile Vanitas oil painting picture wholesale

Vanitas
52 x 44 cm Mus?e des Beaux-Arts, Marseille The artist specialized in complex 'Vanitas' pieces of dramatic clarity. The general influence on his art is Netherlandish, and it is likely that his unsigned pictures are still classified under the Northern schools. Most of his pictures are dominated by a grisly skull surrounded by numerous other indications of the brevity of life. He was received into the French Academy in 1663 as a portraitist
ID de tableau::  62372
5528 ago.
Artist: Renard Emile
Painting: Vanitas
Information: 52 x 44 cm Mus?e des Beaux-Arts, Marseille The artist specialized in complex 'Vanitas' pieces of dramatic clarity. The general influence on his art is Netherlandish, and it is likely that his unsigned pictures are still classified under the Northern schools. Most of his pictures are dominated by a grisly skull surrounded by numerous other indications of the brevity of life. He was received into the French Academy in 1663 as a portraitist

Artist: GRECO, El
GRECO, El Altarpiece oil painting picture wholesale

Altarpiece
1597-99 - Capilla de San Jos? Toledo On 9 November 1597, El Greco signed a contract to execute a series of paintings for the newly built Capilla de San Jose (Chapel of Saint Joseph), Toledo. The contract specified that El Greco was to paint the altarpieces himself and design and gild the frames. The centrepiece of the decorative scheme was to be a painting of Saint Joseph and the Infant Christ with The Coronation of the Virgin above it. These two paintings, set in an altarpiece in a Palladian style designed by El Greco, though its surroundings were altered by Baroque additions around 1665, are still in situ; recent cleaning has revealed their masterly quality. In addition, El Greco was commissioned to paint two side altarpieces, Saint Martin and the Beggar hung on the left-hand side of the main altar, while The Virgin and Child with Saints Martina and Agnes was placed directly opposite, on the right-hand side of the altar, where they remained until they were sold in 1906 to the American collector Peter A. B. Widener, from his estate they entered the National Gallery of Art in Washington in 1942. The chapel was consecrated on 24 December 1594. At a later date, two sarcophagi were placed on either side of the main altar. Possibly designed by El Greco or his son Jorge Manuel, they are similar in design to the ark and the obelisk with a ball on top that appear in the background of El Greco's late Purification of the Temple from San Gin?s. Mart?n Ram?rez was buried to the left of the altar while Diego Ort?z and his wife were placed to the right, in each case with a plaque above stating that they were co-founders of the chapel. The two sculptures of David and Salomon, situated on either side of the main altar was possibly also designed by El Greco. Author: GRECO, El Title: Altarpiece , 1551-1600 , Spanish Form: painting , religious
ID de tableau::  62337
5536 ago.
Artist: GRECO, El
Painting: Altarpiece
Information: 1597-99 - Capilla de San Jos? Toledo On 9 November 1597, El Greco signed a contract to execute a series of paintings for the newly built Capilla de San Jose (Chapel of Saint Joseph), Toledo. The contract specified that El Greco was to paint the altarpieces himself and design and gild the frames. The centrepiece of the decorative scheme was to be a painting of Saint Joseph and the Infant Christ with The Coronation of the Virgin above it. These two paintings, set in an altarpiece in a Palladian style designed by El Greco, though its surroundings were altered by Baroque additions around 1665, are still in situ; recent cleaning has revealed their masterly quality. In addition, El Greco was commissioned to paint two side altarpieces, Saint Martin and the Beggar hung on the left-hand side of the main altar, while The Virgin and Child with Saints Martina and Agnes was placed directly opposite, on the right-hand side of the altar, where they remained until they were sold in 1906 to the American collector Peter A. B. Widener, from his estate they entered the National Gallery of Art in Washington in 1942. The chapel was consecrated on 24 December 1594. At a later date, two sarcophagi were placed on either side of the main altar. Possibly designed by El Greco or his son Jorge Manuel, they are similar in design to the ark and the obelisk with a ball on top that appear in the background of El Greco's late Purification of the Temple from San Gin?s. Mart?n Ram?rez was buried to the left of the altar while Diego Ort?z and his wife were placed to the right, in each case with a plaque above stating that they were co-founders of the chapel. The two sculptures of David and Salomon, situated on either side of the main altar was possibly also designed by El Greco. Author: GRECO, El Title: Altarpiece , 1551-1600 , Spanish Form: painting , religious

Artist: PASSEROTTI, Bartolomeo
PASSEROTTI, Bartolomeo Basket of Flowers oil painting picture wholesale

Basket of Flowers
54 x 83 cm Museo del Prado, Madrid This painting of a basket of flowers and its pair (Madrid, Museo del Prado) follow closely a type of flower piece made popular by Juan de Arellano in which the flowers occupy an open weave wicker basket placed on a rough stone ledge. Such images of flowers casually arranged and filling an open weave basket differ from the formal presentations of bouquets in vases and were perhaps intended to be seen as recently-gathered fresh flowers on short stems. Although the paintings have been considered early works by P?rez for reasons of their closeness to the typology of Arellano s works, they show that the painter was evidently in full possession of the technical resources that distinguish his mature style. In the 17th century, flower paintings commonly made up the decoration of chapels and monastic institutions. While it does not appear that symbolism played a significant role in Spanish flower paintings, viewers of a more sombre cast of mind could have read a Vanitas message in such pictures, in which the brief life of the flowers was a metaphor for human existence
ID de tableau::  62321
5540 ago.
Artist: PASSEROTTI, Bartolomeo
Painting: Basket of Flowers
Information: 54 x 83 cm Museo del Prado, Madrid This painting of a basket of flowers and its pair (Madrid, Museo del Prado) follow closely a type of flower piece made popular by Juan de Arellano in which the flowers occupy an open weave wicker basket placed on a rough stone ledge. Such images of flowers casually arranged and filling an open weave basket differ from the formal presentations of bouquets in vases and were perhaps intended to be seen as recently-gathered fresh flowers on short stems. Although the paintings have been considered early works by P?rez for reasons of their closeness to the typology of Arellano s works, they show that the painter was evidently in full possession of the technical resources that distinguish his mature style. In the 17th century, flower paintings commonly made up the decoration of chapels and monastic institutions. While it does not appear that symbolism played a significant role in Spanish flower paintings, viewers of a more sombre cast of mind could have read a Vanitas message in such pictures, in which the brief life of the flowers was a metaphor for human existence

Artist: El Greco
El Greco St John the Evangelist oil painting picture wholesale

St John the Evangelist
1577 Black chalk with traces of white, on yellowish paper, 255 x 155 mm Biblioteca Nacional, Madrid The drawing is a study for St John the Evangelist, one of the six canvases that El Greco painted for the altarpiece on the High altar of Santo Domingo el Antiguo in Toledo The drawing, now considerably faded, served a practical purpose. The squaring of the sheet indicates that it was used to transfer the design on to the full-scale canvas. In many respects the painting follows the drawing very closely: the arrangements of the hands, feet and draperies are virtually identical
ID de tableau::  62292
5545 ago.
Artist: El Greco
Painting: St John the Evangelist
Information: 1577 Black chalk with traces of white, on yellowish paper, 255 x 155 mm Biblioteca Nacional, Madrid The drawing is a study for St John the Evangelist, one of the six canvases that El Greco painted for the altarpiece on the High altar of Santo Domingo el Antiguo in Toledo The drawing, now considerably faded, served a practical purpose. The squaring of the sheet indicates that it was used to transfer the design on to the full-scale canvas. In many respects the painting follows the drawing very closely: the arrangements of the hands, feet and draperies are virtually identical

Artist: JORDAN, Esteban
JORDAN, Esteban Main Altar c oil painting picture wholesale

Main Altar c
1571 Polychrome wood Church of St Mary Magdalen, Valladolid Esteban Jordan was a painter and sculptor, perhaps trained first in Italy and then in Berruguete's workshop. He was a Romanist of the Castilian school, representing the official art patronized by Philip II. In 1571 he began work on the main altarpiece of the church of St Mary Magdalen in Valladolid. The architectural structure of the altarpiece is orderly and well-balanced, and the use of sculpture restrained. This Italianate Mannerist composition, however, suffers from a dryness that indicates a workshop production rather than the creation of a master
ID de tableau::  62289
5545 ago.
Artist: JORDAN, Esteban
Painting: Main Altar c
Information: 1571 Polychrome wood Church of St Mary Magdalen, Valladolid Esteban Jordan was a painter and sculptor, perhaps trained first in Italy and then in Berruguete's workshop. He was a Romanist of the Castilian school, representing the official art patronized by Philip II. In 1571 he began work on the main altarpiece of the church of St Mary Magdalen in Valladolid. The architectural structure of the altarpiece is orderly and well-balanced, and the use of sculpture restrained. This Italianate Mannerist composition, however, suffers from a dryness that indicates a workshop production rather than the creation of a master

Artist: Jan van der Heyden
Jan van der Heyden Globe still life of books and other oil painting picture wholesale

Globe still life of books and other
mk278 Oil on canvas 77 x 63.5cm
ID de tableau::  62113
5567 ago.
Artist: Jan van der Heyden
Painting: Globe still life of books and other
Information: mk278 Oil on canvas 77 x 63.5cm

Artist: Joaquin Sorolla
Joaquin Sorolla Home of the White Rose Garden oil painting picture wholesale

Home of the White Rose Garden
mk275 1920 Oil on canvas 96 x 64cm Mudd Resor Royar memorial hall
ID de tableau::  61911
5587 ago.
Artist: Joaquin Sorolla
Painting: Home of the White Rose Garden
Information: mk275 1920 Oil on canvas 96 x 64cm Mudd Resor Royar memorial hall

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