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All Hans von Aachen Oil Paintings

was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
 


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     Hans von Aachen
      was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
 

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Hans von Aachen Allegory or The Triumph of Justice (1598) oil painting artist
  ID de tableau::   58154
Allegory or The Triumph of Justice (1598)
Allegory or The Triumph of Justice (1598)
Allegory or The Triumph of Justice (1598, ', ', ', ', ', ', ', '), German title: "Sieg der Wahrheit unter dem Schutze der Gerechtigkeit"- Oil on copper, 56 x 47 cm Alte Pinakothek, Munich
Allegory or The Triumph of Justice (1598, ', ', ', ', ', ', ', '), German title: "Sieg der Wahrheit unter dem Schutze der Gerechtigkeit"- Oil on copper, 56 x 47 cm Alte Pinakothek, Munich


 

Hans von Aachen Aachen Raub von Proserpina oil painting artist
  ID de tableau::   67630
Aachen Raub von Proserpina
Aachen Raub von Proserpina
Year 1587(1587) Technique Oil on canvas Dimensions 109 X 150 cm (42.91 X 59.06 in)
Year 1587(1587) Technique Oil on canvas Dimensions 109 X 150 cm (42.91 X 59.06 in)


 

Hans von Aachen Hans von - Bacchus Ceres und Amor oil painting artist
  ID de tableau::   67631
Hans von - Bacchus Ceres und Amor
Hans von - Bacchus Ceres und Amor
Technique Oil on canvas Dimensions Deutsch: 163 x 113 cm Rahmenmaße: 181,5 x 132,5 x 9,5 cm
Technique Oil on canvas Dimensions Deutsch: 163 x 113 cm Rahmenmaße: 181,5 x 132,5 x 9,5 cm


 

Hans von Aachen Self portrait. oil painting artist
  ID de tableau::   67876
Self portrait.
Self portrait.
Year ca. 1574(1574) Technique Panel Dimensions 51.2 X 36.5 cm
Year ca. 1574(1574) Technique Panel Dimensions 51.2 X 36.5 cm


 

Hans von Aachen Portrait of Joseph Heintz oil painting artist
  ID de tableau::   67877
Portrait of Joseph Heintz
Portrait of Joseph Heintz
Year 1585(1585) Technique Oil on canvas Dimensions 57 X 44 cm
Year 1585(1585) Technique Oil on canvas Dimensions 57 X 44 cm


 

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Artiste précédent       Artiste prochain     

     Hans von Aachen
     was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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