baron grimm Huiler la Reproduction de TableauAll baron grimm Oil PaintingsGerman critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778. |
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| baron grimm German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778. |
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ID de tableau:: 60251 christophwillibald gluck christophwillibald gluck mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris. mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris. |
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ID de tableau:: 60252 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897 mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897 |
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ID de tableau:: 60253 Orfeo ed Euridice Orfeo ed Euridice mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764. mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764. |
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baron grimm German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778. |
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CONTACTER DES Etats-Unis |