baron grimm Oil Painting Reproduction


All baron grimm Oil Paintings

German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
 
 
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     baron grimm
     German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778. 		 

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baron grimm christophwillibald gluck oil painting artist
  Gemälde IDENTIFIZIERUNG::   60251
christophwillibald gluck
mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.


 
baron grimm for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow oil painting artist
  Gemälde IDENTIFIZIERUNG::   60252
for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897


 
baron grimm Orfeo ed Euridice oil painting artist
  Gemälde IDENTIFIZIERUNG::   60253
Orfeo ed Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.


 
 
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     baron grimm
    German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.

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