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(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.
 
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     Amico Aspertini
      (c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529. 		 

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Amico Aspertini St Cassiano oil painting artist
  ID de tableau::   80481
St Cassiano
St Cassiano
Date 1st half of 16th century Medium panel cjr
Date 1st half of 16th century Medium panel cjr


 
Amico Aspertini Portrait of Tommaso Raimondi oil painting artist
  ID de tableau::   81488
Portrait of Tommaso Raimondi
Portrait of Tommaso Raimondi
. 1500(1500) Medium Oil on panel cyf
. 1500(1500) Medium Oil on panel cyf


 
Amico Aspertini St Cassiano oil painting artist
  ID de tableau::   84737
St Cassiano
St Cassiano
first half of 16th century cyf
first half of 16th century cyf


 
Amico Aspertini The Virgin and Child between Saint Helena and Saint Francis oil painting artist
  ID de tableau::   87179
The Virgin and Child between Saint Helena and Saint Francis
The Virgin and Child between Saint Helena and Saint Francis
Date ca. 1520(1520) Medium Oil on panel Dimensions 85.5 x 71.1 cm (33.7 x 28 in) cjr
Date ca. 1520(1520) Medium Oil on panel Dimensions 85.5 x 71.1 cm (33.7 x 28 in) cjr


 
Amico Aspertini The Virgin and Child between Saint Helena and Saint Francis oil painting artist
  ID de tableau::   91954
The Virgin and Child between Saint Helena and Saint Francis
The Virgin and Child between Saint Helena and Saint Francis
1520(1520) Medium oil on panel Dimensions 85.5 X 71.1 cm (33.7 X 28 in) cyf
1520(1520) Medium oil on panel Dimensions 85.5 X 71.1 cm (33.7 X 28 in) cyf


 
  1  2   prochain
Artiste précédent       Artiste prochain     
     Amico Aspertini
     (c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.

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