Amico Aspertini Olja Måleriet Reproducering


All Amico Aspertini Oil Paintings

(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.
 
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     Amico Aspertini
      (c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529. 		 

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Amico Aspertini St Cassiano oil painting artist
  Måleriet Identifieringen ::   80481
St Cassiano
Date 1st half of 16th century Medium panel cjr


 
Amico Aspertini Portrait of Tommaso Raimondi oil painting artist
  Måleriet Identifieringen ::   81488
Portrait of Tommaso Raimondi
. 1500(1500) Medium Oil on panel cyf


 
Amico Aspertini St Cassiano oil painting artist
  Måleriet Identifieringen ::   84737
St Cassiano
first half of 16th century cyf


 
Amico Aspertini The Virgin and Child between Saint Helena and Saint Francis oil painting artist
  Måleriet Identifieringen ::   87179
The Virgin and Child between Saint Helena and Saint Francis
Date ca. 1520(1520) Medium Oil on panel Dimensions 85.5 x 71.1 cm (33.7 x 28 in) cjr


 
Amico Aspertini The Virgin and Child between Saint Helena and Saint Francis oil painting artist
  Måleriet Identifieringen ::   91954
The Virgin and Child between Saint Helena and Saint Francis
1520(1520) Medium oil on panel Dimensions 85.5 X 71.1 cm (33.7 X 28 in) cyf


 
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FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     Amico Aspertini
     (c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.

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