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Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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ID de tableau:: 85899 Lamentation Lamentation
Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cjr Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cjr
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ID de tableau:: 86205 Scene from the St Lucy Legend Scene from the St Lucy Legend
Date 1480(1480)
Medium Oil on wood
cjr Date 1480(1480)
Medium Oil on wood
cjr
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ID de tableau:: 87835 Scenes from the Life of St Ursula Scenes from the Life of St Ursula
second half of 15th century
Medium Oil on wood
cyf second half of 15th century
Medium Oil on wood
cyf
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ID de tableau:: 90006 Virgin and Child with an Angel Virgin and Child with an Angel
between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
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ID de tableau:: 90050 Lamentation Lamentation
1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf 1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf
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| Artiste précédent Artiste prochain
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Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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