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Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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Pintura identificación:: 85899 Lamentation
Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
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Pintura identificación:: 86205 Scene from the St Lucy Legend
Date 1480(1480)
Medium Oil on wood
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Pintura identificación:: 87835 Scenes from the Life of St Ursula
second half of 15th century
Medium Oil on wood
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Pintura identificación:: 90006 Virgin and Child with an Angel
between 1480(1480) and 1500(1500)
Medium oil on oak panel
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Pintura identificación:: 90050 Lamentation
1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf
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| ARTISTA PREVIO PROXIMO ARTISTA
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Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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