|
Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
|
|
|
|
|
Pintura identificación:: 90051 St Nicholas Altarpiece
between 1486(1486) and 1493(1493)
Medium oil on oak panel
Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in).
cyf
|
|
|
|
|
|
|
Pintura identificación:: 90321 Scene from the St Lucy Legend
1480(1480)
Medium oil on panel
cyf
|
|
|
|
|
|
|
Pintura identificación:: 91119 St Veronica with the Sudarium
between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
|
|
|
|
|
|
|
Pintura identificación:: 92130 Legend of St Lucy
1480(1480)
Medium oil on oak panel
Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in).
cyf
|
|
|
|
|
|
|
Pintura identificación:: 92367 Mary, Queen of Heaven
Date c. 1485-1500
Medium oil on panel
Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in)
TTD
|
|
|
|
|
| ARTISTA PREVIO PROXIMO ARTISTA
|
|
Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
|
|