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Jean-Baptiste-Camille Corot was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
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ID de tableau:: 70790 Lesende Frau Lesende Frau
Medium Oil on canvas
Dimensions Expression error: Missing operand for *54.3 x 37.5 cm
Medium Oil on canvas
Dimensions Expression error: Missing operand for *54.3 x 37.5 cm
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ID de tableau:: 70857 La Zingara La Zingara
Medium Oil on canvas
Dimensions 54 x 38 cm
Medium Oil on canvas
Dimensions 54 x 38 cm
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ID de tableau:: 72953 The Harbor of La Rochelle The Harbor of La Rochelle
"The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn.
cjr "The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn.
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ID de tableau:: 73007 Pond at Mortain-Manche Pond at Mortain-Manche
"Pond at Mortain-Manche," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 15 1/16 in. x 18 1/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A. 1908. Courtesy of Yale University, New Haven, Conn.
cjr "Pond at Mortain-Manche," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 15 1/16 in. x 18 1/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A. 1908. Courtesy of Yale University, New Haven, Conn.
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ID de tableau:: 88138 Honfleur Honfleur
1830(1830)
Medium Oil on canvas
cyf 1830(1830)
Medium Oil on canvas
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Jean-Baptiste-Camille Corot was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
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