Jean-Baptiste-Camille Corot Huiler la Reproduction de TableauAll Jean-Baptiste-Camille Corot Oil Paintingswas a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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| Jean-Baptiste-Camille Corot was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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ID de tableau:: 90008 Erinnerung an Mortefontaine Erinnerung an Mortefontaine 1864(1864) Medium oil on canvas Dimensions 65 x 89 cm cyf 1864(1864) Medium oil on canvas Dimensions 65 x 89 cm cyf |
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ID de tableau:: 92162 Erinnerung an Coubron Erinnerung an Coubron 1872(1872) Medium oil on canvas Dimensions 46 X 55,3 cm cyf 1872(1872) Medium oil on canvas Dimensions 46 X 55,3 cm cyf |
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ID de tableau:: 93008 Souvenir of Marly-le-Roi Souvenir of Marly-le-Roi 1872. Oil on canvas. cjr 1872. Oil on canvas. cjr |
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ID de tableau:: 93231 The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's 1826-27 Medium oil on paper mounted on canvas Dimensions 26.7 x 43.2 cm (10.5 x 17 in) cjr 1826-27 Medium oil on paper mounted on canvas Dimensions 26.7 x 43.2 cm (10.5 x 17 in) cjr |
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ID de tableau:: 96400 The Bridge at Mantes The Bridge at Mantes Oil on canvas, ca. 1868-1870. cyf Oil on canvas, ca. 1868-1870. cyf |
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Jean-Baptiste-Camille Corot was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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