Le Pétrole en gros de Chine Peignant le Miroir de Cadre Moulant
Huiler des Tableaux:: all people --> Style:: religious
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Artist: Piero della Francesca
Piero della Francesca legend of the true cross china oil painting reproduction

legend of the true cross
the discovery and proof of the true cross se
ID de tableau::  64947
5365 ago.
Artist: Piero della Francesca
Painting: legend of the true cross
Information: the discovery and proof of the true cross se

Artist: Piero della Francesca
Piero della Francesca legend of the true cross china oil painting reproduction

legend of the true cross
the adoration of the holy wood and the queen of sheba received by solomon se
ID de tableau::  64946
5365 ago.
Artist: Piero della Francesca
Painting: legend of the true cross
Information: the adoration of the holy wood and the queen of sheba received by solomon se

Artist: Piero della Francesca
Piero della Francesca legend of the true cross china oil painting reproduction

legend of the true cross
the veneration of the true
ID de tableau::  64944
5365 ago.
Artist: Piero della Francesca
Painting: legend of the true cross
Information: the veneration of the true

Artist: Piero della Francesca
Piero della Francesca the flagellation china oil painting reproduction

the flagellation
urbino, gallery nazionale delle marche oil and tempera on panel 58.4 by 81.5cm se
ID de tableau::  64943
5365 ago.
Artist: Piero della Francesca
Painting: the flagellation
Information: urbino, gallery nazionale delle marche oil and tempera on panel 58.4 by 81.5cm se

Artist: Piero della Francesca
Piero della Francesca saint jerome and a worshipper china oil painting reproduction

saint jerome and a worshipper
venice, gallery dell'accademia tempera and oil on panel 49 by 42cm
ID de tableau::  64942
5365 ago.
Artist: Piero della Francesca
Painting: saint jerome and a worshipper
Information: venice, gallery dell'accademia tempera and oil on panel 49 by 42cm

Artist: Piero della Francesca
Piero della Francesca london, national gallery tempera on panel china oil painting reproduction

london, national gallery tempera on panel
167 by 116cm se
ID de tableau::  64940
5365 ago.
Artist: Piero della Francesca
Painting: london, national gallery tempera on panel
Information: 167 by 116cm se

Artist: unknow artist
unknow artist Coronation of Mary china oil painting reproduction

Coronation of Mary
1400-50 Tempera on wood Museo L?zaro Galdiano, Madrid The painter of this panel from an altarpiece is referred to as Master of Teruel after the Altarpiece of Mary in the Bishop's Palace in Teruel. The figures of Mary on the two pictures are very similar. the composition follows an example of the German International Gothic. , UNKNOWN MASTER, Spanish , Coronation of Mary , 1401-1450 , Spanish , painting , religious
ID de tableau::  64930
5365 ago.
Artist: unknow artist
Painting: Coronation of Mary
Information: 1400-50 Tempera on wood Museo L?zaro Galdiano, Madrid The painter of this panel from an altarpiece is referred to as Master of Teruel after the Altarpiece of Mary in the Bishop's Palace in Teruel. The figures of Mary on the two pictures are very similar. the composition follows an example of the German International Gothic. , UNKNOWN MASTER, Spanish , Coronation of Mary , 1401-1450 , Spanish , painting , religious

Artist: unknow artist
unknow artist South-Tyrolian Evangelistarium china oil painting reproduction

South-Tyrolian Evangelistarium
1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Vision of St John the Evangelist (The Eagle and Christ-Child} comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious
ID de tableau::  64929
5365 ago.
Artist: unknow artist
Painting: South-Tyrolian Evangelistarium
Information: 1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Vision of St John the Evangelist (The Eagle and Christ-Child} comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious

Artist: unknow artist
unknow artist South-Tyrolian Evangelistarium china oil painting reproduction

South-Tyrolian Evangelistarium
1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Presentation comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious
ID de tableau::  64928
5366 ago.
Artist: unknow artist
Painting: South-Tyrolian Evangelistarium
Information: 1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Presentation comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious

Artist: unknow artist
unknow artist South-Tyrolian Evangelistarium china oil painting reproduction

South-Tyrolian Evangelistarium
1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Annunciation comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious
ID de tableau::  64927
5366 ago.
Artist: unknow artist
Painting: South-Tyrolian Evangelistarium
Information: 1482 Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Annunciation comes from a South-Tyrolian Evangelistarium. , MINIATURIST, Austrian , South-Tyrolian Evangelistarium , 1451-1500 , Austrian , illumination , religious

Artist: unknow artist
unknow artist Scenes from the Life of Jesus china oil painting reproduction

Scenes from the Life of Jesus
105 x 175 cm Museu Nacional d'Art de Catalunya, Barcelona The picture represents one of the most characteristic themes of Spanish Romanesque painting: the Virgin with scenes from the life of Jesus on either side of the central group; it was painted by the Master of Avi? the master responsible for the altar in the church of Avi? These scenes are well known even today to those who appreciate early European painting: represented from left to right are the Annunciation, then the Visitation (Mary's visit to Elizabeth, the mother of St John the Baptist,', ', ', ', ', ', ', '); the upper right scene depicts the ox and the ass bending over the Child in the manger; the bottom left scene shows the three Magi guided by the star, while the lower right scene depicts Jesus being presented in the temple. The central figure of the Child on Mary's knee is not the small adult seen in earlier paintings: the artist has portrayed a lively child who seems to be leaping out of the architectonic frame, as if to acknowledge the welcoming gesture of Melchior. This panel reveals a much more 'modern' approach than that of the Master of Seo de Urgell who executed the rigid representation of the twelve apostles in Christ and the Twelve Apostles. The colours are brighter, the contrasts sharper, the figures more animated and the drapery less schematic; but because of the emphatic red of the cheeks, the lack of perspective and the stereotyped representation of the eyes, this picture is also a characteristic example of Romanesque painting. , UNKNOWN MASTER, Spanish , Scenes from the Life of Jesus , 1151-1200 , Spanish , painting , religious
ID de tableau::  64926
5366 ago.
Artist: unknow artist
Painting: Scenes from the Life of Jesus
Information: 105 x 175 cm Museu Nacional d'Art de Catalunya, Barcelona The picture represents one of the most characteristic themes of Spanish Romanesque painting: the Virgin with scenes from the life of Jesus on either side of the central group; it was painted by the Master of Avi? the master responsible for the altar in the church of Avi? These scenes are well known even today to those who appreciate early European painting: represented from left to right are the Annunciation, then the Visitation (Mary's visit to Elizabeth, the mother of St John the Baptist,', ', ', ', ', ', ', '); the upper right scene depicts the ox and the ass bending over the Child in the manger; the bottom left scene shows the three Magi guided by the star, while the lower right scene depicts Jesus being presented in the temple. The central figure of the Child on Mary's knee is not the small adult seen in earlier paintings: the artist has portrayed a lively child who seems to be leaping out of the architectonic frame, as if to acknowledge the welcoming gesture of Melchior. This panel reveals a much more 'modern' approach than that of the Master of Seo de Urgell who executed the rigid representation of the twelve apostles in Christ and the Twelve Apostles. The colours are brighter, the contrasts sharper, the figures more animated and the drapery less schematic; but because of the emphatic red of the cheeks, the lack of perspective and the stereotyped representation of the eyes, this picture is also a characteristic example of Romanesque painting. , UNKNOWN MASTER, Spanish , Scenes from the Life of Jesus , 1151-1200 , Spanish , painting , religious

Artist: unknow artist
unknow artist Triptych china oil painting reproduction

Triptych
45 x 56 cm Gallerie dell'Accademia, Venice Much more of an innovator than either Catarino or Lorenzo Veneziano was Jacobello Alberegno, who in the Triptych with Crucifixion and Saints, his only signed work, reveals himself to be an artist of penetrating refinement. If it is true that the two lateral saints, St Gregory and St Jerome, are examples of stylized Gothic figures, the images of the small central panel display a naturalness worthy of one of the best of Giotto's disciples. An extraordinary human dimension seems to govern the expression of sentiments in the picture: a grief-stricken St John the Evangelist clutches his cloak to his breast while the Virgin extends imploring arms and stares transfixed with anguish at her crucified son. , ALBEREGNO, Jacobello , Triptych , 1351-1400 , Italian , painting , religious
ID de tableau::  64922
5368 ago.
Artist: unknow artist
Painting: Triptych
Information: 45 x 56 cm Gallerie dell'Accademia, Venice Much more of an innovator than either Catarino or Lorenzo Veneziano was Jacobello Alberegno, who in the Triptych with Crucifixion and Saints, his only signed work, reveals himself to be an artist of penetrating refinement. If it is true that the two lateral saints, St Gregory and St Jerome, are examples of stylized Gothic figures, the images of the small central panel display a naturalness worthy of one of the best of Giotto's disciples. An extraordinary human dimension seems to govern the expression of sentiments in the picture: a grief-stricken St John the Evangelist clutches his cloak to his breast while the Virgin extends imploring arms and stares transfixed with anguish at her crucified son. , ALBEREGNO, Jacobello , Triptych , 1351-1400 , Italian , painting , religious

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Huiler des Tableaux:: people --> Style:: religious

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