San Diye Ke Shi poor people do not mk284 Oil on canvas 1646 173 x 183 cm Madrid, San Fernando College of the Arts Tibet
ID de tableau:: 62567
5666 ago.
Artist: Bartolome Esteban Murillo Painting: San Diye Ke Shi poor people do not Information: mk284 Oil on canvas 1646 173 x 183 cm Madrid, San Fernando College of the Arts Tibet
The Council in Trident 1778 Fresco Library of the College, Eger Author: KRACKER, Johann Lucas Title: The Council in Trident (detail) , 1751-1800 , Austrian Form: painting , religious
ID de tableau:: 62444
5692 ago.
Artist: Kracker, Johann Lucas Painting: The Council in Trident Information: 1778 Fresco Library of the College, Eger Author: KRACKER, Johann Lucas Title: The Council in Trident (detail) , 1751-1800 , Austrian Form: painting , religious
Ulysses and Circe - Oil on panel 51 x 81 cm Private collection The present painting depicts an episode from the Odyssey (Bk 10). On their journey home after the Trojan War, Ulysses and his companions came upon the island of the sorceress, Circe. With a magic potion, she transformed the men into swine; however Ulysses, having been forewarned by Mercury and having taken an antidote, was able to resist her magic. The present painting depicts the moment when Circe lifts her wand to touch Ulysses and activate the spell
ID de tableau:: 62371
5708 ago.
Artist: BIJLERT, Jan van Painting: Ulysses and Circe - Oil on panel Information: 51 x 81 cm Private collection The present painting depicts an episode from the Odyssey (Bk 10). On their journey home after the Trojan War, Ulysses and his companions came upon the island of the sorceress, Circe. With a magic potion, she transformed the men into swine; however Ulysses, having been forewarned by Mercury and having taken an antidote, was able to resist her magic. The present painting depicts the moment when Circe lifts her wand to touch Ulysses and activate the spell
Last Supper 1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community
ID de tableau:: 62313
5720 ago.
Artist: BERRUGUETE, Alonso Painting: Last Supper Information: 1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community
